Shaping a Southern Soundscape
...Tennessee hills, however, the musical landscape was rapidly changing. Through a process Miller calls "segregating sound," intellectuals, writers, musicians, entrepreneurs, industrialists, and fans in the early twentieth century created a...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
...(Source: "Shooting the Chutes," Atlanta Constitution (April 9, 1896), pg. 10. In the last decades of the nineteenth century, privately-owned amusement parks dotted the American landscape, and by 1920, between...
Rereading Local Color: Bill Hardwig's Upon Provincialism
...Chesnutt and Murfree as a black man and a white woman. (Chesnutt, a light skinned African American, was often assumed to be a white writer. Murfree published her early fiction...
Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond
...1983). This carefree and sometimes unruly bunch is related to those who dance and drink behind the jazz funeral band after the body is "cut loose" at a New Orleans...
Unhappy Trails in the Big Easy: Public Spaces and a Square Called Congo
...landscape architect himself, “the evolution of the designed landscapes of New Orleans is unlike any other within American landscape history….” (2). Douglas’s claims for uniqueness start with the town’s semi-aquatic...
Cajun South Louisiana
...speakers as English among Louisianas free population; by 1860, 70 percent of Louisianas free population spoke English. 1800s Language change was part of a broader process of Acadian acceptance of...
The Digital Yoknapatawpha Project
...live tours of James Joyce's Dublin that allow a tourist to experience Ulysses in the Dublin landscape. How does the Faulkner project understand itself in comparison to other projects that...
The Carolina Piedmont
Landscape and Settlement As pioneers, traders, and military men traversed the region in the early eighteenth century, they found the towns of Catawba, Saponi, and Saura Indians and trading paths...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...in a mode promoting social justice and change for all LGBTQ+ people. My wrist might not be ‘stiff’ in the way my dad intended, but I think my artistic mission...
Shared Space, Separate Pasts: Versions of Slavery in Charleston
...offered this alternative. Charleston's ex-slaves expressed the counter-narrative in vibrant public festivals and Emancipation Day celebrations near the end of the Civil War and throughout Reconstruction, reflecting the freedmen and...