Petrochemical America, Petrochemical Addiction
...Petrochemical America: A Review by Gwen Ottinger Pipeline and River Road, Donaldsonville, Louisiana, 2010. Photograph by Richard Misrach. Courtesy of Pace/MacGill Gallery, New York; Fraenkel Gallery, San Francisco; and Marc...
African American Community Building in Atlanta: A Guide to the Study of Race in America
...marriage illegal denied to mixed race children all claims to White property and, more significantly, to White identity. The codes that restricted property ownership and the vagrancy laws that permitted...
Envisioning Faulkner and Southern Literature
...and crafts movement and other pottery-based art forms, see Susan Donaldson's "Cracked Urns: Faulkner, Gender, and Art in the South," in Faulkner and the Artist: Faulkner and Yoknapatawpha, 1993 (Jackson:...
Africana Archives: Making Art at the Schomburg
...years of performances are now part of the Center's archives. Cover, Susan Goldman Rubin's Jacob Lawrence in the City (San Francisco: Chronicle Kids Books, 2009). Community, ceramic tile mosaic on lobby...
The South as Foil: A Review of This Is Not Dixie
...compare their own racial goodness. They can then deny, sanitize, or simply not see the profound anti-black racism in their own sections. Furthermore, when confronted by it, they can depict...
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...Fraenkel Gallery, San Francisco; and Marc Selwyn Gallery, Los Angeles. First image of True Detective's title sequence, 2014, sequence by Antibody and Elastic. © HBO. If you have followed Southern...
Atlanta's Charis Books and More: Histories of a Feminist Space
...sense in which we use the term community: Susan Krieger notes that "some lesbian communities are geographically specific . . . ; some exist within institutions (e.g., prisons); some exist only...
En ningún [pero todo] lugar del mundo: Historia y sexualidad cubana en el teatro de Abel González Melo
...World, Avante Theater, Miami, Florida, 2018. Directed by Mario Ernesto Sánchez. Photograph by and courtesy of Asela Torres. González Melo: El protagonista de En ningún lugar del mundo fue forzado...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...ofThe Next Step in the Dance by Tim Gautreaux, Missouri Review 21.2 (1998): 212; Susan Larson, "The Writer Next Door," New Orleans Times-Picayune (15 Mar. 1998): E1. In 1999, St. Martin's published a second volume...
"This is Not Dixie:" The Imagined South, the Kansas Free State Narrative, and the Rhetoric of Racist Violence
... Places are, in short, "open and porous," "mental territories" constructed through a multiplicity of relations with "other" places.3Massey, Space, Place, and Gender, 5; Andrew R. L. Cayton and Susan E. Gray,...