On Fair Use
...higher education. The United States Copyright Office outlines its "fair use" policy in Section 107 of Title 17 of the United States Code, enumerating "various purposes for which the reproduction...
The South as Foil: A Review of This Is Not Dixie
Review "By branding the South as the racist section of the country," writes Brent Campney, "those narrating the identity of other sections have found a foil against which they can...
Love and Death in Mississippi
...codes of conduct—likely resulting in civil litigation. In Mississippi, second-class citizenship remains under the aegis of special "religious liberty" measures for a bigoted few. HB 1523 is an attack on...
Shared Space, Separate Pasts: Versions of Slavery in Charleston
Review Historians Ethan J. Kytle and Blain Roberts, professors at California State University, Fresno, have produced a brilliantly written and thoroughly engaging place-based exploration of competing narratives of racial enslavement....
You Can't Eat Coal, and Other Lessons from Appalachian Women's History
...white working class—coded as male industrial workers. For months before and after the 2016 election, journalists reported on various Trump Countries, as they were dubbed—Appalachian communities supposedly serving as ground...
Race
...look from an ivory spouse who is learning her husband's caesuras. She can see silent spaces but not what they signify, graphite markings in a forester's code. Many others have...
Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011
...Ward, New Orleans, Louisiana, 2005. From Dorothy Moye's Katrina + 5: An X-Code Exhibition. 400-600 word proposals should include: a description of the major ideas, arguments, and sources for the...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...becomes a medicine cabinet whose magic is the reparative line from photograph to artifact to blood code that describes a history, something that can now be remembered; the depth of...
Life in a Shatter Zone: Debra Granik's Film Winter's Bone
...game on display inside and outside the house, exude a contemporary animist faith of sorts. In the demanding and sometimes cruel code of honor that even the most “outlaw” members...
Ramp Hollow: The Ordeal of Appalachia
...whatever forested commons they can still find. The act is meant to promote this social ecology. By combining land and livelihood—by fostering possession against a history of dispossession—it would reconnect...