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Unearthing the Weeping Time: Savannah's Ten Broeck Race Course and 1859 Slave Sale

Introduction The blades of grass on all the Butler estates are outnumbered by the tears that are poured out in agony at the wreck that has been wrought in happy...

How I Shed My Skin

Presentation and Review Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks to...

A Real American Horror Story: On Steve McQueen's 12 Years a Slave

Review At the 2013 New York Film Critics Circle Awards (NYFCC), English filmmaker Steve McQueen was named Best Director for his stunning adaptation of Solomon Northup's 1853 memoir Twelve Years...

Envisioning Faulkner and Southern Literature

...which contains only one mixed-blood character, the signiﬁcantly named Dilsey, avoids issues of race while promoting regeneration through capitalism. Known for its sentences of over eighty lines in search of...

The Law and the Mississippi Basin: A Review of Mississippi River Tragedies

Review The present system of flood control in the Mississippi Valley is a compromise resulting from a long and complicated interplay among interest groups. The current solution to the problem...

New Digital Archive of Hiphop and Bounce Music in New Orleans

...also worked as a promoter, artist manager, and musician within the New Orleans hiphop community since 2008. She is a writer for the popular music website, The Smoking Section, and...

Driving Through Time: The Digital Blue Ridge Parkway

...to complete because of environmental and public relations concerns and lawsuits filed by the mountain's owner and promoter, Hugh Morton. Screen capture of the GeoBrowse tool, Driving Through Time, 2012. The...

Corporations, Corruption, and the Modern Lobby: A Gilded Age Story of the West and the South in Washington, DC

Corporations, Corruption, and the Modern Lobby: Part 2: White describes the lengths both men went to in an attempt to gain subsidies and credit for their respective railroads Part 3: White shows...

New Adventures in Tandem Ethnography

...in the corner of the room, making small talk in Cajun French even though my "project" tries to avoid nativist ideologies about Louisiana culture.2For instance, the ideologies that promote a...

References
1.	The blog post starts with the voice of Emma, since we were having a hard time beginning in a plural voice. Also, his voice has previously appeared on the Southern Spaces blog.
2.	For instance, the ideologies that promote a romantic Cajun nationalism where everyone speaks perfect Louisiana French and, I guess, traps nutria for a living.
3.	Twenty-something creative types, generally seen wearing thick-framed glasses.
4.	We being, for the rest of this post, Lindsey and Emma.
5.	We conceive of the concept of "fieldnotes" as an archetypal form. Fieldnotes are, for anthropologists intent on following tradition, the symbols of professional identity and ethnographic authority. From the time of Bronislaw Malinowski, the father of modern anthropological fieldwork (i.e., getting out of the armchair and into the real world; see Malinowski's seminal work, Argonauts of the Western Pacific [London: George Routledge and Sons, 1932]), fieldnotes have become material markers of doing ethnography. Fieldnotes are made up of daily logs, filled with short conversations or encounters, and some proto-analysis of what was seen. Fieldnotes are also the site of thick description, which is the act of writing down, through a hyper-awareness of the place the researcher is temporarily occupying, the seemingly minute details of everyday life. This is important because, as Clifford Geertz—the first to practice and name thick description—explains, we may not notice the difference between a wink or a twitch without the context that surrounds it. See Geertz, The Interpretation of Cultures (New York: Basic Books, 1973), 6.
6.	Actually, by junk we mean a more or less complete material history of labor, culture, and religion in Chauvin in the "long" twentieth century. He began with a family tree project that quickly became a collection of family photos, which began to amass heirlooms, furniture, machinery, and local publications dating back to the 1860s and encompassing much more than his own genealogy.
7.	Apparently, 2013 will be remembered as "the year grad students descended upon south Louisiana to work their ethnographies."

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