Geographies of Hope and Despair: Atlanta's African American, Latino, and White Day Laborers
...United States free of debt, Francisco decided not to pay a coyote (or a "pollero" as some border crossers call them) to help him get from Santa Cruz, Guatemala to...
Low Country Travelers: An African American Car Club of Charleston County, South Carolina
...construction of bridges across the Santee River to the north and the Cooper River to Charleston in the 1920s. Today, the town’s largely white population numbers around 450. Conversely, the...
Cajun South Louisiana
...War Information Black-and-White Negatives. Library of Congress Prints and Photographs Division Washington, DC. The emergence of the oil and petrochemical industries in the early twentieth century promoted modernization and movement...
Petrochemical America, Petrochemical Addiction
...A Review by Gwen Ottinger Pipeline and River Road, Donaldsonville, Louisiana, 2010. Photograph by Richard Misrach. Courtesy of Pace/MacGill Gallery, New York; Fraenkel Gallery, San Francisco; and Marc Selwyn Gallery,...
African American Community Building in Atlanta: A Guide to the Study of Race in America
...marriage illegal denied to mixed race children all claims to White property and, more significantly, to White identity. The codes that restricted property ownership and the vagrancy laws that permitted...
Envisioning Faulkner and Southern Literature
...and crafts movement and other pottery-based art forms, see Susan Donaldson's "Cracked Urns: Faulkner, Gender, and Art in the South," in Faulkner and the Artist: Faulkner and Yoknapatawpha, 1993 (Jackson:...
Africana Archives: Making Art at the Schomburg
...years of performances are now part of the Center's archives. Cover, Susan Goldman Rubin's Jacob Lawrence in the City (San Francisco: Chronicle Kids Books, 2009). Community, ceramic tile mosaic on lobby...
Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic
...Fraenkel Gallery, San Francisco; and Marc Selwyn Gallery, Los Angeles. First image of True Detective's title sequence, 2014, sequence by Antibody and Elastic. © HBO. If you have followed Southern...
The South as Foil: A Review of This Is Not Dixie
...compare their own racial goodness. They can then deny, sanitize, or simply not see the profound anti-black racism in their own sections. Furthermore, when confronted by it, they can depict...
Atlanta's Charis Books and More: Histories of a Feminist Space
...sense in which we use the term community: Susan Krieger notes that "some lesbian communities are geographically specific . . . ; some exist within institutions (e.g., prisons); some exist only...