Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...school photos. Holding the frame and the subject steady, these images highlight the material signs of time’s passing. The exhibit hangs in a rectangular gallery that the room’s structure divides...
Revisiting Flaherty's Louisiana Story
...facing all streams shaping Cajun culture, among which Lomax lists French, African American, and Native American. The culture was primarily rural and under significant economic stress. While Flaherty romanticizes living...
Loving-Moonlight(ing): Cinema in the Breach
...not The Loving Story; it is Loving. Welcome to Virginia: Virginia is for Lovers. Road sign near rest stop, Fredericksburg, Virginia, September 2016. Photograph by Eric Solomon. Courtesy of Eric...
Interstate Road Project, Single-State History: Tammy Ingram's Look at the Dixie Highway
...Indianapolis automotive headlights manufacturer Carl Fisher, who had plowed his fortune into the Indianapolis Motor Speedway, and later into promoting long-distance roads, including the earlier Lincoln Highway. The Dixie Highway—one...
Family Forestry in Twiggs County, Georgia / Live in Macon at the Douglass Theatre
...and keyboardist Ian Stewart, the original "sixth" Rolling Stone, in 1982 Leavell was invited to assume a significant keyboardist/vocalist role for the Stones. "Chuck is our direct link to Stu,"...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...Bailey has inserted into the American mind, through the channels of the gallery and the museum, indelible images of African American memory. The signature is immediately recognizable. Memory as Medicine—curated...
A Plague of Bulldozers: Celestine Sibley and Suburban Sprawl
...adds that she will see the pro-paving residents of Shining Waters in hell before she allows them to destroy a road that had rich local significance (PK, 117). A Plague...
DDT Disbelievers: Health and the New Economic Poisons in Georgia after World War II
Introduction DDT is good for me advertisement, Time, June 30, 1947. Scan by Flickr user Crossett Library. Creative Commons license CC BY-NC-SA 2.0. Early in 1949, Dottie Colson wrote to...
LiFT Art Salon: Hammonds House II
...to appreciate smelly old books, discolored newspapers, and indecipherable manuscripts. I blame my parents—after all, they planted the seed that is now blossoming into full-blown archive fever. #DareToBe promotional materials,...
Africana Archives: Making Art at the Schomburg
...repositories of Africana art, as places of historical significance in their own right, and as places and resources for Africana art making and creativity. Africana archives in the United States...