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Crosses, Flowers, and Asphalt: Roadside Memorials in the US South

...dirt track racers defying death in stripped-down vehicles with high performance engines, the glitz and product promotion of modern day NASCAR, and the window-tinted, stretch-limo world of rap culture. Country...

The Poetics of Rescue and Resilience: A Conversation with Jericho Brown on The Selected Shepherd

...what our actual experience is in our poems, and we are not coding it. The code will be the fact that we reach out to you, Jericho, in that library...

The Carolina Piedmont

Landscape and Settlement As pioneers, traders, and military men traversed the region in the early eighteenth century, they found the towns of Catawba, Saponi, and Saura Indians and trading paths...

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

...in a mode promoting social justice and change for all LGBTQ+ people. My wrist might not be ‘stiff’ in the way my dad intended, but I think my artistic mission...

American Coast, Imperiled Energy: Jason P. Theriot’s American Energy, Imperiled Coast

...workers find the landscape shifting beneath their feet overnight, nor a tragic triumph over nature. Instead, Theriot focuses on how the fluid landscape afforded and constrained different kinds of innovations,...

Enslaved Labor and Building the Smithsonian: Reading the Stones

...Smithsonian building, known today as "The Castle"? As is well established, enslaved African Americans worked on the construction of many buildings in antebellum Washington, DC, including the US Capitol and...

No Place To Be Displaced: Katrina Response and the Deep South's Political Economy

...people of color, and women. The extreme inequality in these states reflects a white southern legacy of a government/elite/corporate alliance that promoted slavery and the plantation system; post-slavery agricultural peonage;...

Loving-Moonlight(ing): Cinema in the Breach

...United States.6"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World...

References
1.	Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 8. Sedgwick's foundational contribution to the field of queer theory was her implicit understanding of the closet-structure and coming-out narrative and how they functioned. Sedgwick understood the closet as a "resilient and productive… structure of narrative" with a firm "hold on important forms of social meaning" both before and since the great gay liberationist movement "began" at Stonewall. See Eve Kosofsky Sedgwick, Epistemology of the Closet (Berkeley: University of California Press, 1990), 67. Like other key thinkers such as Michel Foucault and Judith Butler, Sedgwick understood the "very specific crisis of definition" implicit in binary distinctions like gay/straight, homosexual/heterosexual, black/white, as well as how that crisis is often socially constructed, limiting the possibilities of non-normative subjectivities (72). Such distinctions create hierarchy and the implicit desire on the part of the majority for the minority to be exposed, excavated, and/or transcended. These realities necessitate giving voice. Yet, we can read silence and invisibility as power. Arguably, in Loving and Moonlight, what is unsaid, what is invisible, is represented as equal in power to what is said and shown.
2.	Joe Robberson, "Director Jeff Nichols talks 'Loving,' His relationship With the South & His Muse, Michael Shannon," Zimbio, November 7, 2016, http://www.zimbio.com/Zimbio+Exclusive+Interviews/articles/bqW7H-jZy09/Director+Jeff+Nichols+Talks+Loving+Relationship.
3.	Nichols, a native of Arkansas, has made four previous films: Shotgun Stories (2007), Take Shelter (2011), Mud (2012), and Midnight Special (2016). All of these films are fiction. Loving is Nichols's first film to be rooted in fact.
4.	Virginia was not alone in enforcing such legal holdovers. By the time of the 1967 decision, fifteen other (mostly southern) states (Alabama, Arkansas, South Carolina, North Carolina, Georgia, Mississippi, West Virginia, Missouri, Louisiana, Kentucky, Florida, Texas, Tennessee, Oklahoma, and Delaware) had similar anti-miscegenation laws on the books. While the Supreme Court's federal decision invalidated all of these state laws, it would take until 1998 and 2000 for South Carolina and Alabama, respectively, to amend their state constitutional language on miscegenation.
5.	Moze Halperin, "Playwright Tarell Alvin McCraney Discusses the Piece that Inspired 'Moonlight,'" Flavorwire, October 21, 2016, http://flavorwire.com/592191/playwright-tarell-alvin-mccraney-discusses-the-piece-that-inspired-moonlight. Halperin writes, with "In the Moonlight, which McCraney set in his own home of Liberty City, Florida, the playwright tried to lay out some of his own biographical questions about growing up with a mother grappling with drug addiction, and growing up gay in a neighborhood sequestered by race and class, in a community where his own divergence from masculine norms led him to be classified as Other from a young age. Moonlight writer/director Barry Jenkins likewise grew up in Liberty City—and in the very same public housing unit as McCraney—Liberty Square, though they didn't know each other. His adaptation of McCraney's work combined their diverging and overlapping experiences, and projected them onto the story of a protagonist, who, through the convergence of time and society's all-too-often blanketing perceptions of black manhood, lives as a beautifully unchanging soul housed within three metamorphosed bodies."
6.	"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World Report, June 5, 2015, http://www.usnews.com/news/us/articles/2015/06/04/appalachia-gripped-by-hepatitis-c-epidemic-bracing-for-hiv.
7.	Richard Goldstein, "'Go the Way Your Blood Beats': An Interview with James Baldwin," In James Baldwin: The Last Interview and Other Conversations (Brooklyn, NY: Melville House, 2014), 59.
8.	Kate Chopin, The Awakening (Chicago and New York: Herbert S. Stone & Co, 1899).
9.	Richie Hoffman, "Sea Interlude: Moonlight," The Missouri Review, 34, no. 4 (2011): 93.
10.	Alex Abad-Santos, "Watch: Mahershala Ali's powerful SAG Awards speech on persecution and acceptance," Vox.com, January 29, 2017, http://www.vox.com/2017/1/29/14433536/mahershala-ali-2017-sag-award-speech-video.
11.	Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton, The Breach. In Katrina on Stage: Five Plays, edited by Suzanne M. Trauth and Lisa S. Brenner (Evanston, Illinois: Northwestern University Press, 2011), 57.
12.	Arica L. Coleman, "What's Fact and Fiction in Jeff Nichols's Film about the Lovings," History News Network, November 14, 2016, historynewsnetwork.org/article/164415.
13.	"Loving for All," Statement by Mildred Loving, June 12, 2007. In Grey Villet, Loving: An Intimate Portrait (New York: Princeton Architectural Press, 2017), 111.
14.	Loving v. Virginia was cited as legal precedent for the Supreme Court's Obergefell v. Hodges decision in which the court saw "the history of marriage is one of continuity and change." See https://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf.
15.	Lynne Huffer, "The New Normal is Not Good Enough," The Huffington Post, February 2, 2016, http://www.huffingtonpost.com/lynne-huffer/the-new-normal-not-good-enough_b_1895309.html.
16.	Toni Morrison, "No Place for Self-Pity, No Room for Fear," The Nation, March 23, 2015, https://www.thenation.com/article/no-place-self-pity-no-room-fear.
17.	Chauncey Devega, "'Moonlight' and 'Loving': Film as symbolic resistance in the age of Trump," Salon, December 10, 2016, http://www.salon.com/2016/12/10/moonlight-and-loving-film-as-symbolic-resistance-in-the-age-of-trump/.

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