Oak Ridgidness: Lindsey Freeman’s Longing for the Bomb
...York: Vintage Books, 2005); Richard Rhodes, The Making of the Atomic Bomb (New York: Simon and Schuster, 1986); Richard G. Hewlett and Oscar E. Anderson, The New World, 1939–1946: A...
Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida
...the park cut off an irrigation line, however, the newly planted trees dried up and died. This story is nothing new. Landscape theorist Anne Whiston Spirn recounts similar frustrations with...
A Green Democratic Revolution
...Green New Deal in terms of a "Green Democratic Revolution" as a new front in the radicalization of democracy that redefines democratic principles and then extends them to new fields...
The Complete Oh-OK: Music as Child’s Play in Athens, Georgia
...for them in New York. More local dates followed—a gig opening the new late-night coffee club Night Gallery, and more shows at the 40-Watt and other Athens venues. By early...
Trying the Dark: Mammoth Cave and the Racial Imagination, 1839–1869
...World the Slaves Made (New York: Random House, 1972) and Ann Hagedorn, Beyond the River: The Untold Story of the Heroes of the Undergound Railroad (New York: Simon and Schuster,...
Music, Race, and Representation Post-Katrina: A Review of New Orleans Suite: Music and Culture in Transition
...freeway, Claiborne Avenue. New Orleans, Louisiana, 2006. Photograph by Lewis Watts. Courtesy of Lewis Watts. Throughout New Orleans Suite, the authors also use specific albums to launch and frame their...
Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
...Georgia, 4 September 2003. As new Sacred Harp spread nationally, private Crawfordite sings continued in homes and in association with Big Meeting. Advocates of new Sacred Harp joined with members...
Documenting Migrants: An Interview with Charles D. Thompson
...knew we were not making a film for just one group of people who were already convinced. We knew that El Sol could use this film as a fundraiser, and...
Revisiting Flaherty's Louisiana Story
...the transparency of film and replaces this with a performative exchange between subjects, filmmakers/apparatus and spectators."11Stella Bruzzi, New Documentary: A Critical Introduction (New York: Routledge, 2000): 6. When our own...
The X-Codes: A Post-Katrina Postscript
...honor: Part historic preservation, part act of defiance, the spray-painted markings of Katrina rescue workers remain prominently displayed on many reoccupied New Orleans homes." New Orleans Times-Picayune, July 24, 2007....