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Trying the Dark: Mammoth Cave and the Racial Imagination, 1839–1869

Mandeville Thum, Mouth of the Cave, Mammoth Cave, Kentucky, 1876–1877. Introduction Geologically, Mammoth Cave is a network of underground caverns in central Kentucky believed to be the world's largest cave...

Segregationists, Libertarians, and the Modern "School Choice" Movement

...number slightly above the percentage of the Asian school-age population. Only white students and students with Asian ancestries were in private schools in numbers that exceeded or generally matched their...

Going South, Coming North: Migration and Union Organizing in Morristown, Tennessee

...job and to function as engaged citizens of the global economy is honored and respected. "Looking Back and Ahead" offers our conclusion. Going South: A Trip to the Maquiladoras The...

Starlit Screens: Preserving Place and Public at Drive-In Theaters

...continued to decline throughout the 1990s; by century's end, fewer than 450 theaters survived.6"Interactive Statistics." In the 2000s, the number of theaters stabilized at around four hundred, but their geographical...

Cruising Grounds: Seeking Sex and Claiming Place in Houston, 1960–1980

...consisted of walking around neighborhoods observing gay life and talking with gay people, activities quite parallel to cruising itself. Particularly in his assessment of culture area, Levine describes a remarkably...

Memphis: Cotton Fields, Cargo Planes, and Biotechnology

...distribution and have generated wealth. But the consequences of those decisions, and others, especially those connected with "selling" Memphis by offering typically southern industrial recruitment incentives, marketing cheap land and...

Infant gravesites, Japanese American concentration camp cemetery, Rohwer, Arkansas, 2004

The Battle of Atlanta: History and Remembrance

...the city then swung east and north around McPherson's exposed flank they could rout the Yankees in a surprise attack and capture or destroy the large number of Federal supply...

Dirty Decade: Rap Music and the US South, 1997–2007

...Cultures, 28. The forces that propelled crunk from the underground to the mainstream were multiple and intertwined. The shaping of the crunk style largely occurred in strip clubs or nightclubs,...

References
1.	Matt Miller, "Rap's Dirty South: From Subculture to Pop Culture," Journal of Popular Music Studies 16:2 (2004): 175-212.
2.	Jason Berry, Jonathan Foose, and Tad Jones, Up from the Cradle of Jazz: New Orleans Music Since World War II (Athens: Univ. of Georgia Press, 1986), xiii.
3.	Sara Cohen, "Sounding out the City: Music and the Sensuous Production of Place" in The Place of Music, eds. Andrew Leyshon, David Matless, and George Revill (New York: The Guilford Press, 1998), 287.
4.	Andy Bennett and Richard A. Peterson, eds., Music Scenes: Local, Translocal, and Virtual (Nashville: Vanderbilt Univ. Press, 2004), 7-8.
5.	Martin Stokes ed., Ethnicity, Identity, and Music: the Musical Construction of Place (Providence, RI: Berg, 1994), 4.
6.	Kyra D. Gaunt, The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop. (New York: New York University Press, 2006), 183. See also Roberta Rainwater, "Rhythm, Song Trademarks of '90s Patty-Cake," Times-Picayune, April 26, 1990; "Pizza Pizza Daddy-O" at http://www.folkstreams.net/film,73.
7.	Cheryl Keyes, Rap Music and Street Consciousness (Urbana: University of Illinois Press, 2002), 5; Adam Krims, Rap Music and the Poetics of Identity (New York: Cambridge University Press, 2000), 74-75, 77-78.
8.	Murray Forman, The 'Hood Comes First: Race, Space and Place in Rap and Hip-Hop (Middletown, CT: Wesleyan University Press, 2002), 179.
9.	Ibid., xvii.
10.	Ibid., 170.
11.	Adam Krims, Rap Music and the Poetics of Identity (New York: Cambridge University Press, 2000), 124.
12.	Lawrence B. De Graaf, "The City of Black Angels: Emergence of the Los Angeles Ghetto, 1890-1930,"Pacific Historical Review 39:3 (August 1970): 323-352, 331.
13.	Kelefa Sanneh, "Memphis Bleak," Village Voice (June 20, 2000), 144.
14.	Keith Negus, Music Genres and Corporate Cultures (New York: Routledge, 1999), 19.
15.	Luther Campbell and John R. Miller, As Nasty As They Wanna Be: The Uncensored Story of Luther Campbell of the 2 Live Crew (Fort Lee, N.J.: Barricade Books, 1992), 223.
16.	James Bernard, "Bass 9-1-9," The Source 54 (March, 1994): 40.
17.	Campbell and Miller, As Nasty As They Wanna Be, 22.
18.	J-Mill [Jeremy Miller], "Prince Raheem," The Source 54, (March, 1994): 22 ; Idem, "Bass Game: Clay D Returns to His Roots on His Latest Bass Odyssey," The Source 54, (March 1994): 32-33.
19.	Norman C. Stolzoff, Wake the Town & Tell the People: Dancehall Culture in Jamaica (Durham: Duke University Press, 2000), 19.
20.	Brett Atwood, "Bass Music Rises From South As Acts Seek Majors' Interest," Billboard 106:38 (September 17, 1994): 46.
21.	Janine McAdams, "Let's Talk About Sexism On Recent Raps; Wreckx-N-Effect, Disco Rick, Duice, Dre Revealed," Billboard 105:4 (January 23, 1993): 21.
22.	Roni Sarig, Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing (New York: Da Capo Press, 2007).
23.	Joe Nick Patoski, "Money in the Making," Texas Monthly (August 1998): 136.
24.	Ibid.
25.	Forman, The 'Hood Comes First, 330.
26.	Catherine Chriss, "For Houston's Geto Boys, Anything Goes in the World of Gangsta Rap," Houston Chronicle, Texas Magazine section, April 17, 2005.
27.	Patoski, "Money in the Making," 1998.
28.	Ibid.
29.	Sarig, Third Coast, 56.
30.	Kelefa Sanneh, "The Strangest Sound in Hip-Hop Goes National," New York Times, sec. 2, April 17, 2005. (Accessed electronically through LexisNexis Academic on April 13, 2007.)
31.	Ibid.
32.	Kelefa Sanneh, "The Woozy, Syrupy Sound of Codeine Rap," New York Times, sec. 2, April 18, 2005. (Accessed electronically through LexisNexis Academic on 13 April 13, 2007.)
33.	Sarig, Third Coast, 281.
34.	J-Dogg [John Shaw], "Parallels in the Development of Memphis and New Orleans Rap, " Rec.Music.Hip-Hop Usenet Newsgroup, Dec. 9, 1997. (Accessed electronically through Google Advanced Group Search on February 2, 2006.)
35.	Sarig, Third Coast, 272.
36.	Tony Green, "Twerk to Do," Village Voice (Oct. 23, 2001): 149.
37.	Sarig, Third Coast, 103.
38.	Roni Sarig, "Dungeon Family Tree," Creative Loafing (Atlanta), Sept. 18-24, 2003. See also "Additional reporting by Tony Ware," Creative Loafing (Atlanta), September 18-24, 2003.
39.	Sarig, Third Coast, 146.
40.	Sasha Frere-Jones, "The Sound," New York Times, sec. 6, February 8, 2004.

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