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Crossing Over: Sustainability, New Urbanism, and Gentrification in Austin, Texas

...stops and bike lanes and widen streets to promote public transportation. The most symbolic public spot in the corridor is Urdy Plaza, an open, art-decorated space that honors the African...

Segregationists, Libertarians, and the Modern "School Choice" Movement

...in the South," South Today, October 1969, 1. By the 1970s, as many public schools in the South were being desegregated for the first time, promoters of private schools were...

The Battle of Atlanta: History and Remembrance

...Lieutenant General John Bell Hood, commander of the Confederate Army of Tennessee. Photographic print. Hood's leadership at Chickamauga won him a promotion to lieutenant general on February 11, 1864, and...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...of the Atlanta painting, and promoters moved each canvas from city to city for exhibition. At every stop, riggers installed the panorama in a massive rotunda building, a specially designed...

Reconsidering Appalachian Studies

...only the most privileged get a high-quality residential education? Global mountain regions conferences, University of Kentucky, 2012, and Transylvania University, Romania, 2015. Screenshot by Southern Spaces. Appalachian Studies should collaborate...

Religion and the US South

...evangelists, and congregational-based authority all promoted acceptance of Protestantism among the Cherokees and other Southeastern Indians. When the federal government forced removal of the Five Civilized Tribes to the Indian...

Spatial Humanities and Modes of Resistance: A Review of HyperCities

...(103). This multi-media interplay is a relatively new convention for academic writing. Here, old-school New Historicist methods comingle with explications of computer code and user interface to demonstrate how digital...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...parks offered sheltered docks and piers, the only dock here is a burnt out stub. The city clears and maintains lakes in other parts of the city, opening code-compliant "windows"...

Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi

A General Note to Readers: I have intended this essay to be read and the films viewed together. Rather than narrate the films, I have presented an analysis of them...

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

...and tuning in to programming from the many large stations.13Ibid, 132-133. Radio's big-city bias changed after World War II. Eager to promote the growth of the medium, the FCC declared...

References
1.	Susan Douglas, Listening In: Radio and the American Imagination. (Minneapolis: University of Minnesota Press, 2004), 57.
2.	Ibid, 79.
3.	Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America. (Baltimore, MD: Johns Hopkins University Press, 2000), 10.
4.	Ibid.
5.	Ibid, 116.
6.	Ibid, 287.
7.	Joseph C. Pusateri, Enterprise in Radio: WWL and the Business of Broadcasting in America. (Washington, DC: University Press of America, 1980), 153.
8.	Douglas, 5.
9.	Richard A. Peterson, Creating Country Music: Fabricating Authenticity. (Chicago: University of Chicago Press, 1997), 97.
10.	Kline, 287.
11.	Jacob J. Podber, "The Electronic Front Porch: An Oral History of the Early Effects of Radio, Television, and the Internet on Appalachia and the Melungeon Community." (PhD dissertation: Ohio University, 2001), 121.
12.	Ibid, 143-144.
13.	Ibid, 132-133.
14.	Pusateri, 221.
15.	Ibid.
16.	Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham, NC: Duke University Press, 2007), 15.
17.	Ibid, 16.
18.	Suan Smulyan, Selling Radio: The Commercialization of American Broadcasting, 1920-1934. (Smithsonian Institution Press, 1994), 24.
19.	Ibid, 23.
20.	Kristine M. McCusker, "It Wasn't God Who Made Honky Tonk Angels": Women, Work and Barn Dance Radio, 1920-1960." (PhD dissertation: Indiana University, 2000), 20.
21.	Jeffrey J. Lange, Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. (Athens: University of Georgia Press, 2004), 28.
22.	Peterson, 99, 109.
23.	Pecknold, 16.
24.	Ibid.
25.	Charles Wolfe, Tennessee Strings: The Story of Country Music in Tennessee. (Knoxville, TN: University of Knoxville Press, 1977), 83.
26.	Ibid, 83-85.
27.	Peterson, 232.
28.	David Nusz Black, Television from a Third Coast: A History of Nashville Network and Syndicated Television Production: 1950-1983. (PhD Dissertation: The University of Tennessee, 1996), 393-394.
29.	A Study of the Community of Lafollette, Tennessee. Tennessee State Library and Archive. (Nashville: Public Libraries Division, 1957), 4-5.
30.	Ibid, 50.
31.	Ibid, 20.
32.	Audio interview with Dolly Parton from American Routes. During an interview on American Routes, Parton talks about her musical and family roots in East Tennessee, and about singing on the Cas Walker Show. Available via http://americanroutes.wwno.org/.
33.	Bill Waddell, taped interview by Joe DiCosimo, August 2005.
34.	Ibid.
35.	Ibid.
36.	Waddell, reunion introduction. From tape of Louie Bluie Music and Arts Festival, Caryville, TN, 2007, from the Tennessee State Library and Archives.
37.	Michele Hilmes, Radio Voices: American Broadcasting, 1922-1952. (Minneapolis: University of Minnesota Press, 1997), xvi.
38.	Jody Berland,"Radio Space and Industrial Time: The Case of Music Formats." In Canadian Music: Issues of Hegemony and Identity, eds. Beverly Diamond and Robert Witmer. (Toronto: Canadian Scholars' Press, 1994), 175- 176, 181.
39.	Bill C. Malone, Country Music, U.S.A. (Austin: University of Texas Press, 1985), 369.
40.	A Study of the Community of Lafollette, Tennessee, 5.

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