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A journal about real and imagined spaces and places of the US South and their global connections

On Maps, Race, and Diasporic Self-Fashioning in Early Nineteenth-Century Brazil

...for the term pardo instead of the sullied one of mulato, [which was] popularly associated with licentiousness and ungovernability.”5Miguel A. Valerio, "The pardos’ triumph: The use of festival material culture for socioracial promotion...

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References
1.	Katherine McKittrick, "On Plantations, Prisons, and a Black Sense of Place," Social & Cultural Geography, 2011, 12: 948.
2.	Matthew H. Edney, 2019. Cartography: The Ideal and its History (Chicago: University of Chicago Press, 2019), 1.
3.	Caio Figueiredo Fernande Adan and Iris Kantor, A cartografia de um oficial pintor de mapas liberto: Estudo de atribuição de autoria (Bahia-Brasil, século XIX). In 8a SIAHC Siímposio Ibero americano de História de Cartografía/O mapa como elemento de ligação cultural entre a América e a Europa. Edited by Carme Montaner and Carla Lois. Barcelona: Institut Cartogràfic i Geològic de Catalunya, 2012) 120–33.
4.	Sandra Harvey, "Unsettling Diasporas: Blackness and the Spectre of Indigeneity," Postmodern Culture, 31: 1, 2 (2020, 2021).)
5.	Miguel A. Valerio, "The pardos’ triumph: The use of festival material culture for socioracial promotion in eighteenth-century Pernambuco," Journal of Festive Studies 3:49, 2021.
6.	Tatiana Reinoza, Reclaiming the Americas: Latinx Art and the Politics of Territory (Austin: University of Texas Press, 2023): 18.
7.	Sumathi Ramaswamy, 2014. Maps, Mother/Goddesses, and Martyrdom in Modern India. In Empires of Vision: A Reader. Edited by Martin Jay and Sumathi Ramaswamy (Durham: Duke University Press, 2014): 420.
8.	Chérie N. Rivers, To Be Nsala’s Daughter: Decomposing the Colonial Gaze (Durham: Duke University Press, 2022) 31.

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