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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...of city hall, Jim Crow's intractable legacy, and poor decisions rationalized by free market economics. Two episodes from the past century illustrate the challenges of turning back the tide. The...

Ashé: Cultural Arts Cornerstone in New Orleans’ Central City

...The two transformed this raw space into the Ashé Cultural Arts Center to promote, celebrate, and produce works by and about the African and African American experience. Ashé Cultural Arts...

Nannie's Stone: Appendices by Mark Auslander and Lisa Fager

...census in DC, heading a household with two free non-white women and one free non-white man. He is not visible in the 1830 census. District of Columbia records list a...

Enslaved Labor and Building the Smithsonian: Reading the Stones

...J. W. Neal slave house was near the city's center market. Even free people of color did not feel safe on DC's streets. From 1852 until 1906, the celebrated free...

Single Centers of Creation?

...Red-backed Salamander Hemidactylium scutatum Four-toed Salamander [SC] Aneides aeneus Green Salamander [E] Desmognathus imitator Imitator Salamander Plethodon jordani Jordan's Salamander Eurycea junaluska Junaluska Salamander [T] Gyrinophilus porphyriticus duryi Kentucky Spring...

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

...in a mode promoting social justice and change for all LGBTQ+ people. My wrist might not be ‘stiff’ in the way my dad intended, but I think my artistic mission...

The Pursuit of Health: Colonialism and Hookworm Eradication in Puerto Rico

...old patients returning, made our clinic from 300 to 600 per day."39Ashford and Gutiérrez Igaravídez, Uncinariasis in Porto Rico, 106. As word about the free medical treatment spread, many hookworm...

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

...and tuning in to programming from the many large stations.13Ibid, 132-133. Radio's big-city bias changed after World War II. Eager to promote the growth of the medium, the FCC declared...

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References
1.	Susan Douglas, Listening In: Radio and the American Imagination. (Minneapolis: University of Minnesota Press, 2004), 57.
2.	Ibid, 79.
3.	Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America. (Baltimore, MD: Johns Hopkins University Press, 2000), 10.
4.	Ibid.
5.	Ibid, 116.
6.	Ibid, 287.
7.	Joseph C. Pusateri, Enterprise in Radio: WWL and the Business of Broadcasting in America. (Washington, DC: University Press of America, 1980), 153.
8.	Douglas, 5.
9.	Richard A. Peterson, Creating Country Music: Fabricating Authenticity. (Chicago: University of Chicago Press, 1997), 97.
10.	Kline, 287.
11.	Jacob J. Podber, "The Electronic Front Porch: An Oral History of the Early Effects of Radio, Television, and the Internet on Appalachia and the Melungeon Community." (PhD dissertation: Ohio University, 2001), 121.
12.	Ibid, 143-144.
13.	Ibid, 132-133.
14.	Pusateri, 221.
15.	Ibid.
16.	Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham, NC: Duke University Press, 2007), 15.
17.	Ibid, 16.
18.	Suan Smulyan, Selling Radio: The Commercialization of American Broadcasting, 1920-1934. (Smithsonian Institution Press, 1994), 24.
19.	Ibid, 23.
20.	Kristine M. McCusker, "It Wasn't God Who Made Honky Tonk Angels": Women, Work and Barn Dance Radio, 1920-1960." (PhD dissertation: Indiana University, 2000), 20.
21.	Jeffrey J. Lange, Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. (Athens: University of Georgia Press, 2004), 28.
22.	Peterson, 99, 109.
23.	Pecknold, 16.
24.	Ibid.
25.	Charles Wolfe, Tennessee Strings: The Story of Country Music in Tennessee. (Knoxville, TN: University of Knoxville Press, 1977), 83.
26.	Ibid, 83-85.
27.	Peterson, 232.
28.	David Nusz Black, Television from a Third Coast: A History of Nashville Network and Syndicated Television Production: 1950-1983. (PhD Dissertation: The University of Tennessee, 1996), 393-394.
29.	A Study of the Community of Lafollette, Tennessee. Tennessee State Library and Archive. (Nashville: Public Libraries Division, 1957), 4-5.
30.	Ibid, 50.
31.	Ibid, 20.
32.	Audio interview with Dolly Parton from American Routes. During an interview on American Routes, Parton talks about her musical and family roots in East Tennessee, and about singing on the Cas Walker Show. Available via http://americanroutes.wwno.org/.
33.	Bill Waddell, taped interview by Joe DiCosimo, August 2005.
34.	Ibid.
35.	Ibid.
36.	Waddell, reunion introduction. From tape of Louie Bluie Music and Arts Festival, Caryville, TN, 2007, from the Tennessee State Library and Archives.
37.	Michele Hilmes, Radio Voices: American Broadcasting, 1922-1952. (Minneapolis: University of Minnesota Press, 1997), xvi.
38.	Jody Berland,"Radio Space and Industrial Time: The Case of Music Formats." In Canadian Music: Issues of Hegemony and Identity, eds. Beverly Diamond and Robert Witmer. (Toronto: Canadian Scholars' Press, 1994), 175- 176, 181.
39.	Bill C. Malone, Country Music, U.S.A. (Austin: University of Texas Press, 1985), 369.
40.	A Study of the Community of Lafollette, Tennessee, 5.
41.	Berland, 185.
42.	Smulyan, 32.