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Kara Walker's Blood Sugar: A Subtlety or the Marvelous Sugar Baby

...our blood-stained appetite for sugar than Kara Walker's installation, A Subtlety or the Marvelous Sugar Baby.2Kara Walker, A Subtlety or the Marvelous Sugar Baby, May 10–July 6, 2014, Brooklyn, New...

Six Degrees of Alan Lomax: A Review and Multimedia Excerpts

...or instrumental traditions—traditions that made up the musical climate in which Cajun music and zydeco came to be. Even given the considerable body of scholarship surrounding twentieth-century styles, for instance,...

Prop Master at Charleston's Gibbes Museum of Art

Introduction Artists Susan Harbage Page and Juan Logan designed Prop Master: An Installation specifically for the Main Gallery of the Gibbes Museum of Art. In its totality, Prop Master constitutes...

Discursive Memorials: Queer Histories in Atlanta's Public Spaces

...present moments of personal narratives and public events through media of performance, installation, and projection. Memory Flash begins in the Old Fourth Ward, moves to Ponce de Leon Avenue at...

Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two

...Union generals, freed people who had been held as slaves began to occupy and farm independently some of the land of the white slavocracy. For instance, the 10,000-acre plantation of...

From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music

...music to outsiders. The rise of "southern" gospel emerged in response to a network of cultural tensions, social conflicts, and religious instabilities.12These longstanding conflicts precede the twentieth century. Southern gospel's...

Trouble the Land: The City Too Busy to Hate

...page advertisement by the Atlanta Chamber of Commerce, The New Yorker, May 5, 1962. Text reads: "Atlanta has everything. For instance, perhaps the world's most beautiful springtime. . . and...

Trying the Dark: Mammoth Cave and the Racial Imagination, 1839–1869

...legal property of another. Writers invoked Mammoth Cave to articulate white anxieties about the instability of racial distinctions, to enact melodramatic fantasies of white supremacy, and to envision apocalyptic nightmares...

"Out long enough to be historic": Racialized Gay Space in Pre-Stonewall San Antonio

...permanent US military installation in the city). During World War I (1914–1918), the US War Department expanded the fort, with the additions of Camp Bullis, Camp Travis, and Camp Stanley,...

References
1.	I follow Michael Omi and Howard Winant's definition of racialization: "the extension of racial meaning to a previously racially unclassified social relationship, social practice or group." Michael Omi and Howard Winant, Racial Formation in the United States (New York: Routledge, 2014), 111.
2.	Besides the studies of San Antonio cited later in the essay, some relevant theses and dissertations of interest include: Kyle Edelbrock, "Taking it to the Streets: The History of Gay Pride Parades in Dallas, Texas, 1972–1986" (master's thesis, University of North Texas, 2015); Carl J. Stoneham, "How Prophecy Got Her Queer Back: (Re)discovering the Prophetic at the Rainbow Lounge, 40 Years and Eight Minutes Later" (master's thesis, Texas Christian University, 2010); and John D. Goins, "Confronting Itself: The AIDS Crisis and the LGBT Community in Houston" (PhD diss., University of Houston, 2014).
3.	The actions of those fallen at the Alamo were glorified in Texas history and culture, and today, the Alamo commemorative monument and museum helps attract around 37 million annual visitors to San Antonio, whose tourism and hospitality industry generated an estimated 15.2 billion dollars in 2017.
4.	The newly independent Mexican government began as the First Empire of Mexico headed by Agustín de Iturbide (1822–1823) before transitioning into a federal republic, with the Constitution of 1824 officially establishing the First Mexican Republic (Primera República Federal), known as the United Mexican States (Estados Unidos Mexicanos). As the EUM sorted out its leadership and organizational structure, it failed to exert strong control and governance from Mexico City over the distant Tejas. Thus, the Mexican government's gradual steps towards abolishing slavery in 1829—which, in the eyes of many Anglo settlers, reneged on Iturbide's promise to let them practice chattel slavery in Tejas—and the prohibition of new Anglo settlers in the Law of April 6, 1830—which was precipitated by fears that the United States would annex Tejas and resulted in Mexican officials and troops being dispatched to enforce Mexican law in the province—encroached on the rights and privileges that settlers had grown accustomed to. The 1833 presidential election of Santa Anna only exacerbated these issues, as he threw out the Constitution of 1824, which allowed him to centralize control of the government by eradicating provincial or state governments, and also imprisoned Stephen F. Austin, the first empresario of Tejas and primary Texian representative, for a year.
5.	Randolph B. Campbell, Gone to Texas: A History of the Lone Star State (New York: Oxford University Press, 2018); David Montejano, Anglos and Mexicans in the Making of Texas, 1836–1986 (Austin: University of Texas Press, 1987).
6.	Campbell, Gone to Texas; Montejano, Anglos and Mexicans in the Making of Texas.
7.	John Manguso, "Fort Sam Houston," Handbook of Texas, Texas State Historical Association, accessed April 1, 2019, https://tshaonline.org/handbook/online/articles/qbf43; Robert Wooster, "Military History," Handbook of Texas, Texas State Historical Association, accessed April 1, 2019, https://tshaonline.org/handbook/online/articles/qzmtg.
8.	"2015 Military Economic Impact Study" (San Antonio, TX: Department of Government and Public Affairs, accessed July 1, 2021), https://www.sanantonio.gov/Portals/0/Files/OMA/EconImpact/2015SanAntonioMilitaryEconomicImpact.pdf?ver=2017-02-15-142835-893.
9.	The United States Census Bureau designated San Antonio the fastest growing city in the United States in 2018: United States Census Bureau, "Census Bureau Reveals Fastest-Growing Large Cities," release number CB18-78, May 24, 2018, https://www.census.gov/newsroom/press-releases/2018/estimates-cities.html; "Texas Almanac: City Population History from 1850–2000," Texas Almanac, accessed April 5, 2019, https://texasalmanac.com/sites/default/files/images/CityPopHist%20web.pdf.
10.	See Allan Bérubé, Coming Out Under Fire: The History of Gay Men and Women in World War II (New York: Plume, 1991); George Chauncey, Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890–1940 (New York: Basic Books, 1994); and John D'Emilio, "Capitalism and Gay Identity" in The Lesbian and Gay Studies Reader, edited by Henry Abelove, Michèle Aina Barale, and David M. Halperin (New York: Routledge, 1993), 467–476.
11.	D'Emilio, "Capitalism and Gay Identity," 472.
12.	Amy L. Stone, "Crowning King Anchovy: Cold War Gay Visibility in San Antonio's Urban Festival," Journal of the History of Sexuality 25, no. 2 (2016): 300. Also, see Melissa Gohlke's blog post about these nightclubs and female impersonators: "San Antonio's Drag Culture of the 1930s and 40s," The Top Shelf, October 22, 2012, https://utsalibrariestopshelf.wordpress.com/2012/10/22/san-antonios-drag-culture/.
13.	Melissa Gohlke, "Off-Limits and Out of Bounds, World War II and San Antonio's Queer Community," The Top Shelf, February 25, 2013, https://utsalibrariestopshelf.wordpress.com/2013/02/25/off-limits-and-out-of-bounds-world-war-ii-and-san-antonios-queer-community/.
14.	Gohlke, "Off-Limits."
15.	For further specification on these procedures, see Bérubé, Coming Out under Fire; Chauncey, Gay New York; and Margot Canaday's The Straight State: Sexuality and Citizenship in Twentieth-Century America (Princeton, NJ: Princeton University Press, 2009).
16.	Gohlke, "Off-Limits."
17.	Stone, "Crowning King Anchovy," 299.
18.	Weathers was featured on AM Los Angeles with Regis Philbin. In 1970, prior to the GLF raid of the APA's L.A. Convention, the GLF raided an APA convention in San Francisco. These raids were to protest the APA's classification of homosexuality as a mental illness.
19.	Carolyn Weathers, interview by author, October 22, 2015, Long Beach, California, video recording. Biographical information is condensed from the interview.
20.	Carolyn Weathers, Shitkickers & Other Texas Stories (Los Angeles: Clothespin Fever Press, 1989), 13.
21.	I originally accessed "Cheers Everybody!" in the Weathers Collection at ONE. However, the collection of short stories in which "Cheers" is included—Shitkickers & Other Texas Stories—can occasionally be found in used bookstores or on Amazon.
22.	As of publication, there are only two other academic studies of pre-Stonewall San Antonio: Melissa Gohlke's "Out in the Alamo City: Revealing San Antonio's Gay and Lesbian, World War II to the 1990s," (master's thesis, University of Texas at San Antonio, 2012); and Amy Stone's Cornyation: San Antonio's Outrageous Fiesta Tradition (San Antonio: Maverick Books, 2017)—from which her article, "Crowning King Anchovy," condenses information.
23.	Stone, "Crowning King Anchovy," 300; Amy Stone and Craig Lofton, personal email, August 21, 2013. Stone writes, "Bars, coffee shops, and newsstands that sold ONE Magazine sprang up on the edges of Travis Park, a downtown green space known as a meeting place for gay men"; Weathers, Shitkickers, 13.
24.	Weathers, Shitkickers, 19.
25.	Weathers, interview by author.
26.	Founded in 1942 as the women's branch of the US Army, the Women's Army Corps existed until 1978, when it was disbanded as the Army implemented gender-integrated units.
27.	Weathers, Shitkickers, 29.
28.	Weathers, Shitkickers, 30.
29.	David K. Johnson, The Lavender Scare: The Cold War Persecution of Gays and Lesbians in the Federal Government (Chicago: University of Chicago Press, 2009).
30.	Weathers, Shitkickers, 38. Based on Lillian Hellman's 1934 play of the same name, The Children's Hour (1961) was directed by William Wyler and featured Audrey Hepburn (Karen) and Shirley MacLaine (Martha). Falsely accused of lesbianism by a vindictive student, Karen and Martha, teachers at a private school for girls, get caught up in negative media coverage that isolates them. The film ends in Martha's suicide, as she realizes that she has loved Karen all along and feels responsible for their public humiliation and Karen's failed marriage engagement.
31.	Weathers, Shitkickers, 38.
32.	Weathers, Shitkickers, 39.
33.	Jaime Harker, The Lesbian South: Southern Feminists, the Women in Print Movement, and the Queer Literary Canon (Chapel Hill: University of North Carolina Press, 2018), 17. For more histories of the WIPM, see Agatha Beins, Liberation in Print: Feminist Periodicals and Social Movement Identity (Athens: University of Georgia Press, 2017); Victoria Hesford, Feeling Women's Liberation (Durham, NC: Duke University Press, 2013); Kathryn Thoms Flannery, Feminist Literacies: 1968–75 (Champaign: University of Illinois Press, 2010); Julie R. Enszer, "A Fine Bind: Lesbian-Feminist Publishing from 1969 through 2009" (PhD diss., University of Maryland, 2013); and Kristen Hogan, The Feminist Bookstore Movement: Lesbian Antiracism and Feminist Accountability (Durham, NC: Duke University Press, 2016).
34.	Weathers, Shitkickers, 44.
35.	Weathers, Shitkickers, 44.
36.	Weathers, Shitkickers, 13.
37.	Weathers, Shitkickers, 44.
38.	This was a series of violent riots within the Greenwich Village neighborhood of New York City that was set off by a police raid of the Stonewall Inn on June 28, 1969.
39.	See, for instance, Elizabeth A. Armstrong and Suzanna M. Crage, "Movements and Memory: The Making of the Stonewall Myth," American Sociological Review 71, no. 5 (2006): 724–751; Craig A. Rimmerman, The Lesbian and Gay Movements: Assimilation or Liberation? (New York: Routledge, 2014).
40.	Weathers, interview by author. In her thesis, Gohlke locates Fernando's Hideaway at 2100 Frio City Road, but she provides no information about the bar beyond that. It is unclear whether this is a discrepancy in information or Fernando's moved locations at some point. Besides Fernando's Hideaway and The Country II, Gohlke's study does not document the bars that I discuss here. See Gohlke, "Out in the Alamo City."

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