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Before Tuskegee: Public Health and Venereal Disease in Hot Springs, Arkansas

...Diseases, ed. William Josephus Robinson (New York: The Altrurians, 1909). For historical studies on this, see Theodor Rosebury, Microbes and Morals: The Strange Story of Venereal Disease (New York: Viking...

Spatial Humanities and Modes of Resistance: A Review of HyperCities

...(103). This multi-media interplay is a relatively new convention for academic writing. Here, old-school New Historicist methods comingle with explications of computer code and user interface to demonstrate how digital...

Coalfield Generations: Health, Mining, and the Environment

...the miners, then reopen under new corporate settings. These new companies do not rehire the miners who were active under the previous contract. Instead of hiring the local workers who...

Memphis: Cotton Fields, Cargo Planes, and Biotechnology

...will become a "world-class" city with references to enhancing the dynamics of distribution, promoting a revitalized downtown, building sports arenas, expanding the zoo, redeveloping the riverfront, and promoting the city's...

Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors

Southern Spaces is now offering authors the option of distributing new work published in the journal under a Creative Commons license. Beginning in 2014, in addition to retaining copyright of...

Counterblast: How the Atlanta Temple Bombing Strengthened the Civil Rights Cause

...was hurt, the blast, which woke people from their sleep several blocks away, caused almost $200,000 of damage.1Atlanta Constitution, October 13, 1958; New York Times, October 16, 1958. For a...

"Closest to Everlastin'": Ozark Agricultural Biodiversity and Subsistence Traditions

...even know that people elsewhere all over the country was suffering from want." —Donald Harington’s “Vance Randolph” character in Butterfly Weed1Donald Harington, Butterfly Weed (New Milford, CT: The Toby Press,...

The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World

...the various iterations of Lousiana's colonial slave codes, analyzing in rich, often imaginative detail, the aspirations and anxieties of authorities who attempted to construct and maintain categories of difference within...

Loving-Moonlight(ing): Cinema in the Breach

...United States.6"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World...

References
1.	Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC: Duke University Press, 2003), 8. Sedgwick's foundational contribution to the field of queer theory was her implicit understanding of the closet-structure and coming-out narrative and how they functioned. Sedgwick understood the closet as a "resilient and productive… structure of narrative" with a firm "hold on important forms of social meaning" both before and since the great gay liberationist movement "began" at Stonewall. See Eve Kosofsky Sedgwick, Epistemology of the Closet (Berkeley: University of California Press, 1990), 67. Like other key thinkers such as Michel Foucault and Judith Butler, Sedgwick understood the "very specific crisis of definition" implicit in binary distinctions like gay/straight, homosexual/heterosexual, black/white, as well as how that crisis is often socially constructed, limiting the possibilities of non-normative subjectivities (72). Such distinctions create hierarchy and the implicit desire on the part of the majority for the minority to be exposed, excavated, and/or transcended. These realities necessitate giving voice. Yet, we can read silence and invisibility as power. Arguably, in Loving and Moonlight, what is unsaid, what is invisible, is represented as equal in power to what is said and shown.
2.	Joe Robberson, "Director Jeff Nichols talks 'Loving,' His relationship With the South & His Muse, Michael Shannon," Zimbio, November 7, 2016, http://www.zimbio.com/Zimbio+Exclusive+Interviews/articles/bqW7H-jZy09/Director+Jeff+Nichols+Talks+Loving+Relationship.
3.	Nichols, a native of Arkansas, has made four previous films: Shotgun Stories (2007), Take Shelter (2011), Mud (2012), and Midnight Special (2016). All of these films are fiction. Loving is Nichols's first film to be rooted in fact.
4.	Virginia was not alone in enforcing such legal holdovers. By the time of the 1967 decision, fifteen other (mostly southern) states (Alabama, Arkansas, South Carolina, North Carolina, Georgia, Mississippi, West Virginia, Missouri, Louisiana, Kentucky, Florida, Texas, Tennessee, Oklahoma, and Delaware) had similar anti-miscegenation laws on the books. While the Supreme Court's federal decision invalidated all of these state laws, it would take until 1998 and 2000 for South Carolina and Alabama, respectively, to amend their state constitutional language on miscegenation.
5.	Moze Halperin, "Playwright Tarell Alvin McCraney Discusses the Piece that Inspired 'Moonlight,'" Flavorwire, October 21, 2016, http://flavorwire.com/592191/playwright-tarell-alvin-mccraney-discusses-the-piece-that-inspired-moonlight. Halperin writes, with "In the Moonlight, which McCraney set in his own home of Liberty City, Florida, the playwright tried to lay out some of his own biographical questions about growing up with a mother grappling with drug addiction, and growing up gay in a neighborhood sequestered by race and class, in a community where his own divergence from masculine norms led him to be classified as Other from a young age. Moonlight writer/director Barry Jenkins likewise grew up in Liberty City—and in the very same public housing unit as McCraney—Liberty Square, though they didn't know each other. His adaptation of McCraney's work combined their diverging and overlapping experiences, and projected them onto the story of a protagonist, who, through the convergence of time and society's all-too-often blanketing perceptions of black manhood, lives as a beautifully unchanging soul housed within three metamorphosed bodies."
6.	"Lifetime Risk of HIV Diagnosis," CDC, February 23, 2016, https://www.cdc.gov/nchhstp/newsroom/2016/croi-press-release-risk.html; "CDC Fact Sheet: Today's HIV/AIDS Epidemic," August 2016, https://www.cdc.gov/nchhstp/newsroom/docs/factsheets/todaysepidemic-508.pdf; Claire Galofaro, "Appalachia Bracing for HIV," U.S. News & World Report, June 5, 2015, http://www.usnews.com/news/us/articles/2015/06/04/appalachia-gripped-by-hepatitis-c-epidemic-bracing-for-hiv.
7.	Richard Goldstein, "'Go the Way Your Blood Beats': An Interview with James Baldwin," In James Baldwin: The Last Interview and Other Conversations (Brooklyn, NY: Melville House, 2014), 59.
8.	Kate Chopin, The Awakening (Chicago and New York: Herbert S. Stone & Co, 1899).
9.	Richie Hoffman, "Sea Interlude: Moonlight," The Missouri Review, 34, no. 4 (2011): 93.
10.	Alex Abad-Santos, "Watch: Mahershala Ali's powerful SAG Awards speech on persecution and acceptance," Vox.com, January 29, 2017, http://www.vox.com/2017/1/29/14433536/mahershala-ali-2017-sag-award-speech-video.
11.	Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton, The Breach. In Katrina on Stage: Five Plays, edited by Suzanne M. Trauth and Lisa S. Brenner (Evanston, Illinois: Northwestern University Press, 2011), 57.
12.	Arica L. Coleman, "What's Fact and Fiction in Jeff Nichols's Film about the Lovings," History News Network, November 14, 2016, historynewsnetwork.org/article/164415.
13.	"Loving for All," Statement by Mildred Loving, June 12, 2007. In Grey Villet, Loving: An Intimate Portrait (New York: Princeton Architectural Press, 2017), 111.
14.	Loving v. Virginia was cited as legal precedent for the Supreme Court's Obergefell v. Hodges decision in which the court saw "the history of marriage is one of continuity and change." See https://www.supremecourt.gov/opinions/14pdf/14-556_3204.pdf.
15.	Lynne Huffer, "The New Normal is Not Good Enough," The Huffington Post, February 2, 2016, http://www.huffingtonpost.com/lynne-huffer/the-new-normal-not-good-enough_b_1895309.html.
16.	Toni Morrison, "No Place for Self-Pity, No Room for Fear," The Nation, March 23, 2015, https://www.thenation.com/article/no-place-self-pity-no-room-fear.
17.	Chauncey Devega, "'Moonlight' and 'Loving': Film as symbolic resistance in the age of Trump," Salon, December 10, 2016, http://www.salon.com/2016/12/10/moonlight-and-loving-film-as-symbolic-resistance-in-the-age-of-trump/.

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