Seeds of Rebellion in Plantation Fiction: Victor Séjour's "The Mulatto"
...Barnard for The Norton Anthology of African American Literature, "Le Mulâtre" ("The Mulatto") by Victor Séjour (1817–1874), a New Orleans free man of color, was initially published in the March...
"This is Not Dixie:" The Imagined South, the Kansas Free State Narrative, and the Rhetoric of Racist Violence
...the Midwest. Ten minutes later he has forgotten and again assumes I have been traveling through the South."5James W. Loewen, Sundown Towns: A Hidden Dimension of American Racism. (New York: The New...
Confederates in Mexico: Lost Cause or New South Vanguard?
...and New Mexico, 1800–1850 (New York: Cambridge University Press, 2005), 37. Wahlstrom's research makes clear that the US-Mexico War did not diminish economic and settlement patterns. Instead, ex-Confederate migration mapped...
Medicine as Memory: Radcliffe Bailey at Atlanta's High Museum of Art
...Bailey’s grandmother gave him a treasure trove of more than 400 tintypes from a family album dating back to the late 1800s…” in Carol Thompson, ed. Memory as Medicine (New...
Spatial Humanities and Modes of Resistance: A Review of HyperCities
...(103). This multi-media interplay is a relatively new convention for academic writing. Here, old-school New Historicist methods comingle with explications of computer code and user interface to demonstrate how digital...
Three Poems and a Critique of Postracialism
...Poems and a Pandemic" in Political Emotions: New Agendas in Communication, ed. Janet Steiger et al. (New York: Routledge, 2010). And, as a happening, poetry has a particular power to depict...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...new Cherokee laws and reject the proposed constitutional form of governance.15See Mooney’s History, 113–14; William G. McLoughlin, Cherokee Renascence in the New Republic (Princeton: Princeton University Press, 1986), 191–92, and...
Revisiting Flaherty's Louisiana Story
...the transparency of film and replaces this with a performative exchange between subjects, filmmakers/apparatus and spectators."11Stella Bruzzi, New Documentary: A Critical Introduction (New York: Routledge, 2000): 6. When our own...
Reuse, Author Choice, and the Open Access Spectrum: New Creative Commons Licenses for Southern Spaces Authors
Southern Spaces is now offering authors the option of distributing new work published in the journal under a Creative Commons license. Beginning in 2014, in addition to retaining copyright of...
The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World
...the various iterations of Lousiana's colonial slave codes, analyzing in rich, often imaginative detail, the aspirations and anxieties of authorities who attempted to construct and maintain categories of difference within...