Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else
...MARBL.) At the end of Raymond's life, he and Benny had acrimonious phone conversations and exchanged angry letters. The letters referenced the phone conversations and expanded on them. By 1990,...
The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness
...viewer—short-circuit both homonormative assumptions about sexuality and gay identity and metronormative assumptions about sex and homophobia in the rural South. Anecdotally, I've heard from a goodly number of southern gay...
New Pasts: Historicizing Immigration, Race, and Place in the South
...also been highly uneven. Until Hurricane Katrina and the need for cheap immigrant labor to rebuild New Orleans, for instance, Louisiana had little Latino population growth. Within the historic “Black...
Spirits of the Landscape Rediscovered: Ras Michael Brown's African-Atlantic Cultures and the South Carolina Lowcountry
...the African-Atlantic—the geographical, cultural, and symbolic space linked by the dispersion of African-descended peoples across the Atlantic.2Although a number of studies reference African antecedents in their analysis of African American...
Palomares Bajo
...to invading journalists. But as US enlisted men encamped on the beach and closed fields, leaving tomatoes and beans to rot, the local economy to wither, Szulc gazed on Almería...
Revisiting Flaherty's Louisiana Story
...income, but then switched to the less cinematically interesting (and for some critics, less symmetrically ironic) work of a telephone lineman because it paid better and was less dangerous. As...
Cherokee Removal Scenes: Ellijay, Georgia, 1838
...removal began, and overstates the number of Cherokees sent from Fort Hetzel, the number removed from Gilmer County, and the number sent to Indian Territory. Incomplete narratives neglected the involvement...
The Shenandoah Valley
The Shenandoah Valley Edward Beyer, Digital Restoration of "Harper's Ferry from Jefferson Rock" from Album of Virginia: Illustrations of the Old Dominion, 1858. The Shenandoah Valley's history marks it as...
Putting the Vernacular in Modernism: A Review of Edward Comentale's Sweet Air
...doubled, at once opening and closing, losing and then finding itself in its own cheap performance" (180). These kinds of juxtapositions are the crux of what Comentale identifies as "vernacular...
An Interview with Tim Gautreaux: "Cartographer of Louisiana Back Roads"
...you in Vietnam? GAUTREAUX: I was going to join the Air Force, but they had that draft lottery, and I drew number 361. Number one went, and the further away...