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Southern Spaces

A journal about real and imagined spaces and places of the US South and their global connections

A Plague of Bulldozers: Celestine Sibley and Suburban Sprawl

...1981);Young'uns: A Celebration (New York: Harper & Row, 1982); her memoir, Turned Funny; six mysteries, The Malignant Heart (Garden City, NY: Doubleday, 1958), Ah, Sweet Mystery: A Kate Mulcay Mystery (New York: HarperCollins, 1991), Straight as an...

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

...of a barn dance. After World War II, as hundreds of new radio stations began to broadcast from small towns, a new wave of barn dance programs emerged, fashioned after...

North Carolina: A State of Shock

...John Frank and Rob Christensen, "Dome: In other news, NC Senate gives final approval to tax bill," Raleigh News and Observer, July 3, 2013, http://www.newsobserver.com/2013/07/03/3009073/dome-in-other-news-nc-senate-gives.html; John Frank, "Impact of Proposed...

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

...America (New York: Alfred A. Knopf, 2003); Robert Weems, Jr., Desegregating the Dollar: African American Consumerism in the Twentieth Century (New York: New York University Press, 1998); Victoria Wolcott, Race,...

Going South, Coming North: Migration and Union Organizing in Morristown, Tennessee

...in Appalachia (New York: New Press, 2004). Union contracts eroded along with wages and benefits. Social relationships changed. Workers were thrown into competition with other workers, often of different race...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...the park cut off an irrigation line, however, the newly planted trees dried up and died. This story is nothing new. Landscape theorist Anne Whiston Spirn recounts similar frustrations with...

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References
1.	James H. Dorman, The People Called Cajuns: An Introduction to an Ethnohistory (Lafayette: Center for Louisiana Studies, 1983), 36.
2.	Suzanne Berne, "Swamped," New York Times Book Review (22 Sept. 1996): 16. Kirkus Reviews 11 (Sept. 1996): 991; Rand Richards Cooper, "Local Color," Commonweal 8 (November 1996): 25; Perry Glasser, "True Dirt," North American Review (March.-April 1997): 45.
3.	Andy Solomon, "Books in Brief: Fiction," New York Times Book Review (14 June 1998): 21; John Tait, rev. ofThe Next Step in the Dance by Tim Gautreaux, Missouri Review 21.2 (1998): 212; Susan Larson, "The Writer Next Door," New Orleans Times-Picayune (15 Mar. 1998): E1.
4.	Liam Callanan, "La. Stories," New York Times Book Review (3 Oct. 1999): 31; Susan Balée, "Maximalist Fiction,"Hudson Review 53.3 (2000): 520, 519, emphasis added; Alan Heathcock, "Book Reviews," Mid-American Review 20 (2000): 249-50.
5.	Bob Minzesheimer, "Clearing Is a Cut Above," USA Today (31 July 2003); "The Critics: Briefly Noted," New Yorker (30 June 2003): 101; "PW Forecasts: Fiction," Publishers Weekly (26 May 2003): 49.
6.	Portions of my introduction are adapted from Chapter 1 of Understanding Tim Gautreaux (Columbia: University of South Carolina Press, forthcoming).
7.	See the Recommended Resources, in which I list all of the interviews with Gautreaux that I have found.
8.	Marcia Gaudet, "The Image of the Cajun in Literature," Journal of Popular Culture 23.1 (1989): 77-88.
9.	See Gautreaux's essay "Left-Handed Love," in A Few Thousand Words about Love, ed. Mickey Pearlman (New York: St. Martin's, 1998), 139.
10.	In California to try to mend his relationship with his estranged wife, Louisiana native Paul Thibodeaux orders the only thing he recognizes on the menu, gumbo, and the waiter brings him "a small cauldron of bitter juice so hot with Tabasco that after the third spoonful, Paul broke into a sweat." When asked how it tastes, Paul remarks that was too hot and is told, "It takes time to develop a true Cajun palate," to which Paul responds, "it sure don’t take much time to ruin one" (The Next Step in the Dance [New York: Picador, 1998], 81).
11.	The University of Southwestern Louisiana (USL) is now the University of Louisiana at Lafayette. Vermilionville is a "Cajun/Creole heritage and folklife park [that recreates life in the Acadiana area between 1765 and 1890" and Cajun Village is comprised of "[h]istoric Acadian buildings, restored to house unique specialty shops".
12.	See Chapter 7, "Don't Just Sit There; Do Something: Frustration with Faulkner from Glasgow to Gautreaux," in William Faulkner's Legacy: "what shadow, what stain, what mark" (Gainesville: UP of Florida, 2005).
13.	Collected Stories of William Faulkner (New York: Vintage, 1977), 126.
14.	Gaines made this remark when guest-speaking at a class I took at the University of Southwestern Louisiana (now the University of Louisiana at Lafayette) in the spring of 1986. Gaines also refers to a similar, if not the same, episode in an interview with John Lowe: "Someone asked me when I wrote The Autobiography of Miss Jane Pittman, was I thinking about Dilsey in Faulkner's novel The Sound and the Fury. And I said, 'No, I did not have Dilsey in mind.' And by the way, the difference between Dilsey and Miss Jane Pittman is that Faulkner gets Dilsey talking her story from his kitchen; the young schoolteacher in my book gets Miss Jane's story from Miss Jane's kitchen. And it makes a difference" (John Lowe, "An Interview with Ernest Gaines," Conversations with Ernest Gaines, ed. Lowe, Literary Conversations Series [Jackson: UP of Mississippi, 1995], 313).