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Scales of Slavery on the Mason-Dixon Line: A Review of Gleanings of Freedom

Review Max Grivno's subtle and remarkably textured history of labor in northern Maryland and southern Pennsylvania, Gleanings of Freedom: Free and Slave Labor along the Mason Dixon Line, 1790–1860, details...

The Seventeenth Southern Writers Symposium: September 19–20, 2003 at Methodist College, Fayetteville, North Carolina

...American Revolution recast as a socialist revolt, freeing the young workers of Okemah, Oklahoma, from the tyranny of a ten-year-old King George. These exaggerated exploits not only further Guthrie's socialist...

Reframing Resistance: A Review of Freedom Now!

...photographs. No image became more iconic, no place more marked by photographs than Birmingham in the days of Bull Connor's hoses and dogs. Martin A. Berger's fine book, Freedom Now! Forgotten...

Prop Master at Charleston's Gibbes Museum of Art

...The shape of Juan Logan and Susan Harbage Page's installation mirrors that of the gallery in order to comment on how culture — rituals, codes, manners, and customs — is...

How I Shed My Skin

Presentation and Review Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks to...

Beasts of the Southern Wild and Dirty Ecology

...a chorus of animals: "'I'm hungry. I want to poop.' But sometimes they start talking in codes." How do we make our way into the coded life of other species?...

Low-Wage Legacies, Race, and the Golden Chicken in Mississippi: Where Contemporary Immigration Meets African American Labor History

...University of Illinois Press, 1994); Charles M. Payne, I've Got the Light of Freedom: The Organizing Tradition and the Mississippi Freedom Struggle (Berkeley: University of California Press, 1996); Susie Erenrich,...

John Cohen in Eastern Kentucky: Documentary Expression and the Image of Roscoe Halcomb During the Folk Revival

...wrote his friend Ross Grosman in a letter from Kentucky in 1959, "this leaves me with a strange sense of freedom in relation to what I finally do produce —...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

...no longer afford to live there. But Campanella's study is less concerned with illuminating this mutuality than in promoting Bourbon Street as the quintessential American success story. NOPD Police Sign...

References
1.	Ken Daley, "Bourbon Street Shooting Leaves 10 Wounded, 2 Critically, Tourism Image Scarred," NOLA.com, June 30, 2014, http://www.nola.com/crime/index.ssf/2014/06/bourbon_street_gunfight_leaves.html; Helen Freund, "Bourbon Street Shooting Victim, 21, Dies," NOLA.com, July 2, 2014, http://www.nola.com/crime/index.ssf/2014/07/bourbon_street_shooting_victim.html.
2.	Julie Levinson, The American Success Myth on Film (New York: Palgrave Macmillan, 2012), 11–12.
3.	J. Mark Souther, New Orleans on Parade: Tourism and the Transformation of the Crescent City (Baton Rouge: Louisiana State University Press, 2006), 226. Political scientist Paul A. Passavant makes a similar argument in "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans," in The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans, ed. Cedric Johnson (Minneapolis: University of Minnesota Press, 2011), 87–129.
4.	Kevin Fox Gotham and Miriam Greenberg, Crisis Cities: Disaster and Redevelopment in New York and New Orleans (Oxford: Oxford University Press, 2014), viii. For other examples of recent scholarship critical of the market-driven approach to post-Katrina recovery, see Vincanne Adams, Markets of Sorrow, Labors of Faith: New Orleans in the Wake of Katrina (Durham: Duke University Press, 2013); John Arena, Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization (Minneapolis: University of Minnesota Press, 2012); Cedric Johnson, ed., The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans (Minneapolis: University of Minnesota Press, 2011); Lawrence N. Powell, "What Does American History Tell Us about Katrina and Vice Versa?," Journal of American History 94, no. 3 (December 2007): 863–876; Lynnell L. Thomas, Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory (Durham: Duke University Press Books, 2014), 158–173.
5.	Clyde Woods, "Katrina's World: Blues, Bourbon, and the Return to the Source," American Quarterly 61, no. 3 (2009): 448.
6.	Passavant, "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans."
7.	For an analysis of the implications of Campanella's privileging of experience-knowledge, see Emma Lirette, "Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters," Southern Spaces, April 17, 2013, https://southernspaces.org/blog/category-3-gentrification-new-orleanss-population-trends-and-hostility-internet-commenters.
8.	By a cruel irony, the June 2014 Bourbon Street shooting occurred just outside Johnny White's bar, the same bar that famously stayed open during and after Hurricane Katrina. The fact that this Bourbon Street institution has served as both a symbol of the city's rebirth and a reminder of its rampant violence and criminalizaton highlights the relationship between geographies of pleasure and pain. See, Benjamin Alexander-Bloch, "Bourbon Street Shooting Sent Bystanders Rushing into Nearby Businesses," NOLA.com, June 29, 2014, http://www.nola.com/crime/index.ssf/2014/06/as_bourbon_street_shooting_occ.html; Richard Campanella, Bourbon Street: A History (Baton Rouge: Louisiana State University Press, 2014), 310.

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