Transcript: Interview with Jim Bunkley
Jim Bunkley interview. Recorded in Geneva, Georgia, 1969. Bunkley discusses his life, music, and brief work in a medicine show in Southwest Georgia. Courtesy of George Mitchell and Fat Possum...
The South as Foil: A Review of This Is Not Dixie
...states of the former Confederacy,1See George Rable, But There Was No Peace: The Role of Violence in the Politics of Reconstruction (Athens: University of Georgia Press, 1984); Lou Faulkner Williams,...
The Dispossessions of Appalachia: A Review of Ramp Hollow
...Commons: Environmental Activism and Forest History in Western North Carolina (Athens: University of Georgia Press, 2012); and George Monbiot, Out of the Wreckage: A New Politics for an Age of...
Gone With the Wind
...flickering neon and fire, like Atlanta spilling into the night, and the Princess, here, in miniature, painted by the flickering of a model trolley's tiny headlamps on the tiny corner...
"Five Cents a Drink"
"Five Cents a Drink," Atlanta Constitution, May 19, 1886, p. 7 Published: 15 January 2008 © 2008 Sarah Toton and Southern Spaces...
Casino, Ponce de Leon Park
Advertisement for Ponce de Leon Park Casino and Ostrich Farm, Atlanta Constitution, 1906. circa 1908 circa 1910 The sign below the circle swing reads: "Ponce de Leon is a private...
Marginalization, Mobility, and Sunday Strolls on the Farm
...in the Atlanta metro area, analyzing the complex mobility politics of a southern urban center. A recent New York Times article highlights similar transportation issues plaguing rural communities in Texas....
New Website for Music Memory
In April 2012, Southern Spaces published an interview with Lance Ledbetter, founder of Dust-to-Digital Records, in which he discussed the operations of his Atlanta-based record label. During the interview, Ledbetter mentioned...
The Same Language: A Memoir by Ben Duncan
Video...
Eggleston's South: "Always in Color"
Review Untitled (Near Minter City and Glendora, Mississippi), 1970, printed 1999. Photograph and dye-transfer print by William Eggleston. From At War with the Obvious, Metropolitan Museum of Art, Accession #2012.286....