Atlanta's Charis Books and More: Histories of a Feminist Space
...were few established businesses, mainstream organizations or tradition-minded civic leaders around. There were, however, plenty of cheap rental properties available and an "anything is possible" view of the future.6According to...
Hoboken Style: Meaning and Change in Okefenokee Sacred Harp Singing
...Harp singers to the Florida Folk Festival (FFF) stage. The singers had traveled from the Okefenokee region of southeast Georgia and northeast Florida to the town of White Springs. They...
"Beer, Prayer and Nellydrama": (Im)Possibilities in Max Vernon's The View UpStairs
...Delery-Edwards describes the Lounge as a cultural space that sought to insulate patrons from homophobic violence, what Vernon would imagine in a musical number, "The World Outside These Walls."11Max Vernon,...
Telling the Raymond Andrews Story: The Making of Somebody Else, Somewhere Else
...MARBL.) At the end of Raymond's life, he and Benny had acrimonious phone conversations and exchanged angry letters. The letters referenced the phone conversations and expanded on them. By 1990,...
Editorial Style Guide
...are usually used. number of international unions 8; total number of women: 79 When to spell out numbers Spell out numbers from one through one hundred and approximate numbers. It...
Closer to the Ground: A Conversation with Ann Pancake
...know what WVU is like now, but at that time we had a large number of out of state students, partly because our tuition was so cheap, and the whole...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
...by featuring international stars like Edwin Booth, Adelina Patti, and Sarah Bernhardt.13Goodson, 31–32. As traveling opera stars and Shakespearean actors entertained audiences at DeGive's, dime museums, traveling tight-rope walkers, medicine...
Global Lives, Local Struggles: Latin American Immigrants in Atlanta
Photograph of Rosa, Miguel and their son. Global Lives, Local Struggles (Documentary footage used in this essay was provided by William Brown, Director, Living Across Borders.) Part 2: Dr. Odem describes...
The Podcast and the Police: S‑Town and the Narrative Form of Southern Queerness
...less tied to place than the other whites in that tattoo parlor—that he is much more mobile culturally, economically, ideologically, and geographically. Reed's unmarked whiteness allows him to travel in...
"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans
...often functioned as a symbolic center.19Travel writers and scholars have long characterized New Orleans as the most African of US cities, see Gwendolyn Midlo Hall, "The Formation of Afro-Creole Culture,"...