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The US South and the 2008 Election

...won Florida, Virginia, and North Carolina. He also challenged seriously in Georgia and potentially could have won the state had he not pulled out resources in the aftermath of the...

Marching for Gay Rights in Atlanta, 1971: An Excerpt from A Night at the Sweet Gum Head

...Brown Media Archives & Peabody Awards Collection at UGA Libraries, Athens, Georgia, June 27, 1971. He parsed his words carefully. Atlanta was not San Francisco. He warned Northern friends, half...

Sapelo Island Flyover

...reveals sediments from older environments, such as hundreds-year-old relict marshes exposed along Cabretta Beach on Sapelo's northeastern edge. Sapelo Island in the Sea Islands Watershed. Courtesy of Wikimedia Commons. Creative...

Cosmopolitanism and Nationalism in Native American Literature: A Panel Discussion

...without a substantial consideration of Native peoples. Elvira Pulitano is the author of Toward a Native American Critical Theory (2003), Transatlantic Voices: Interpretations of Native North American Literatures (2009), and...

Ossabaw Island Flyover

...Pleistocene (Silver Bluff) and Holocene shorelines on Ossabaw split near its southern portion, with the Pleistocene trending north–south and the Holocene trending northeast–southwest. The modern shoreline, which formed only in...

Art, Diaspora, and Identity: The John Biggers Papers

...of the Turtle, the triangular shape at the top of the mural evokes the "shotgun houses" of Biggers's North Carolina youth, a motif that appears throughout his works.10Theisen, Walls that...

A City Divided

...urban North; in 1913 they proposed a city ordinance outlining racial residential segregation procedures. This early conflict in Jackson Hill, which coincided with an emerging fashion for the development of...

Creolization as Cultural Continuity and Creativity in Postdiluvian New Orleans and Beyond

...schedule of teaching at Xavier University (the only black Catholic university in North America), playing locally with the new brass band stylists he had previously eschewed as not traditional enough,...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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