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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

How I Shed My Skin

Presentation and Review Civil rights narratives often empower and embolden, promoting faith in possibilities, hope for rectifying inequities. More sober assessments show that, though we've come a long way—thanks to...

Contact

To subscribe to our monthly email announcements, click here. Email Address: SEditor@Emory.edu Fax Number: 404 727 0827 Mailing Address: Southern Spaces Robert W. Woodruff Library Emory University 540 Asbury Circle Atlanta,...

Call for Submissions: Music and the US South

...projects may take any of a number of forms. Please contact us if you have any questions about our process, infrastructure, or other aspects of digital project publishing. Southern Spaces editors are...

The Save All Quilt [ca. 1880]

...relatively close together when cutting the fabric, but the claim of "no waste in material" is not entirely accurate. Making a quilt can express thrift in a number of ways,...

Paul's Crazy Quilt [ca 1875 and ca 1915]

  "Paul's Crazy Quilt-center pieced by Rosa Benson Snoddy during Civil War. Auntie made the rest of it. Quilted by her, Cousin Mag & Auntie." History: One of Nannie's (Nancy...

Piedmont Blues

...1932, and he collaborated with a number of high profile blues artists, including Ma Rainey, Gus Cannon, and Papa Charlie Jackson. Blake disappeared after his last Paramount session in 1932....

Failed Memory Exercise

...black gush withers and dribbles to a drip, And memory gums like shavings in the burnt oil Now that plywood masks the windows of the stores, Which test me as...

The Chesapeake Bay

...they were not conservationists. They cleared lands and moved as necessary, their low numbers making little impact on the available resources (with the significant exception of white-tail deer which Indians...