Leavenworth newspaper
...large indignation meeting was held by the farmers, and the outrageous action was denounced as it should be in free Kansas." Published: 6 September 2007 © 2007 Brent M.S....
When the Border Crossed Me
...already known that Mexican people, men mostly, had started coming to central North Carolina. I knew many of them processed hogs or poultry, and that others worked on dairy or...
From Raw Cotton to Cloth
...sheeting from raw cotton at the Katherine Plant of Springs Mills (now Springs Global) in Chester, South Carolina in 2006. About the Photographer Pressly Hall is a professional freelance photographer...
The Mobility of Faith: Cross Sections of Haitian Religion in Miami
...national symbol, taking on significant meaning in the three religious trajectories that Crossing the Water and Keeping the Faith describes. Rey and Stepick argue that religion facilitates the successful migration,...
Lynching and Local History: A Review of Troubled Ground
...that Rowan County was an exceptional place, with "its own internal dynamics and unique history" (54), and a typical place, characterized by factors and patterns that made it fertile ground...
The Complete Oh-OK: Music as Child’s Play in Athens, Georgia
...paintings, photographs, installations, and films, in a pervasive celebration of amateurism and primitivism, and in the crazy free form dancing that erupted wherever bands played. In Athens, child’s play worked...
Wounds, Vines, Scratches, and Names: Signs of Return in Southern Photography
...people and places that foregrounds photography’s jumbling of time. In very different ways, they hold the place or person—the subject—steady so time can float free. William Christenberry, Greensboro, Hale County,...
Mourning Medgar: Justice, Aesthetics, and the Local
Presentation Part 2: Gwin explores temporal and spatial dimensions of mourning, posing questions of how to mourn and celebrate Evers Part 3: Gwin situates aesthetic and ethical responses from Baldwin,...
Brushes with War
...to obtain "not less than sixty dollars" for the piece, "as that was what Harper paid him for a full page drawing on wood." Sharpshooter, 1863. Oil on canvas by...
Southern Memory, Southern Monuments, and the Subversive Black Mammy
Southern Memory, Southern Monuments, and the Subversive Black Mammy Question and Answer Wallace-Sanders responds to questions about the photographs she uses, the proposed Mammy Memorial Institute, the political responses...