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Remnants of Flannery

...eighty-nine years old today. O'Connor's legacy is unique among southern writers. Unlike contemporaries Eudora Welty or Carson McCullers, O'Connor primarily wrote short stories that drew upon her bleak, dark, and...

Queering Southern Gospel: A Review of Douglas Harrison's Then Sings My Soul

...has gathered from interviews and relationships with people in the industry over the years. For almost a decade, he has maintained a blog on southern gospel music at averyfineline.com that...

New Shades o'Death Creek

...it was. But after the blasting was done, after the dust settled, we had an inspector in. The foundation is cracked. Ten, twenty years from now everything will be falling...

Roadside Architecture

...my interest. When I first arrived at the University of Mississippi in 1999, after sixteen years in Texas, I felt a pressing need to explore my new surroundings, both locally...

How I Shed My Skin

...culture's feigned warmth, courtesy, and piety. While hindsight affords Grimsley insight into the significance of his middle school years, at the time—about most matters of importance—Jimmy "had no idea" (6)...

The Complete Oh-OK: Music as Child’s Play in Athens, Georgia

Essay Here’s for an expanding hope. —Oh-OK, “Brother,” 1982 Oh-OK, Furthermore What cover, DB Records, 1984. If you want to start an argument, just ask any 40- to 50-ish-year-old fan...

New Adventures in Tandem Ethnography

...has been in Louisiana for fifteen years, her dissertation will be on prisoners. I work in straight-up theory, writing about how people perform their culture and where the fantasies that...

A Mess of Poke

...and left behind to re-seed themselves year after year, trees loaded with fruit—Ms. Callahan saw them going to waste and decided to harvest. On the "wild" spectrum, however, at least...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

Review In the early hours of June 29, 2014, a Bourbon Street shootout left twenty-one-year-old Brittany Thomas, a visitor to New Orleans, dead and nine other bystanders injured.1Ken Daley, "Bourbon...

References
1.	Ken Daley, "Bourbon Street Shooting Leaves 10 Wounded, 2 Critically, Tourism Image Scarred," NOLA.com, June 30, 2014, http://www.nola.com/crime/index.ssf/2014/06/bourbon_street_gunfight_leaves.html; Helen Freund, "Bourbon Street Shooting Victim, 21, Dies," NOLA.com, July 2, 2014, http://www.nola.com/crime/index.ssf/2014/07/bourbon_street_shooting_victim.html.
2.	Julie Levinson, The American Success Myth on Film (New York: Palgrave Macmillan, 2012), 11–12.
3.	J. Mark Souther, New Orleans on Parade: Tourism and the Transformation of the Crescent City (Baton Rouge: Louisiana State University Press, 2006), 226. Political scientist Paul A. Passavant makes a similar argument in "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans," in The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans, ed. Cedric Johnson (Minneapolis: University of Minnesota Press, 2011), 87–129.
4.	Kevin Fox Gotham and Miriam Greenberg, Crisis Cities: Disaster and Redevelopment in New York and New Orleans (Oxford: Oxford University Press, 2014), viii. For other examples of recent scholarship critical of the market-driven approach to post-Katrina recovery, see Vincanne Adams, Markets of Sorrow, Labors of Faith: New Orleans in the Wake of Katrina (Durham: Duke University Press, 2013); John Arena, Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization (Minneapolis: University of Minnesota Press, 2012); Cedric Johnson, ed., The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans (Minneapolis: University of Minnesota Press, 2011); Lawrence N. Powell, "What Does American History Tell Us about Katrina and Vice Versa?," Journal of American History 94, no. 3 (December 2007): 863–876; Lynnell L. Thomas, Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory (Durham: Duke University Press Books, 2014), 158–173.
5.	Clyde Woods, "Katrina's World: Blues, Bourbon, and the Return to the Source," American Quarterly 61, no. 3 (2009): 448.
6.	Passavant, "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans."
7.	For an analysis of the implications of Campanella's privileging of experience-knowledge, see Emma Lirette, "Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters," Southern Spaces, April 17, 2013, https://southernspaces.org/blog/category-3-gentrification-new-orleanss-population-trends-and-hostility-internet-commenters.
8.	By a cruel irony, the June 2014 Bourbon Street shooting occurred just outside Johnny White's bar, the same bar that famously stayed open during and after Hurricane Katrina. The fact that this Bourbon Street institution has served as both a symbol of the city's rebirth and a reminder of its rampant violence and criminalizaton highlights the relationship between geographies of pleasure and pain. See, Benjamin Alexander-Bloch, "Bourbon Street Shooting Sent Bystanders Rushing into Nearby Businesses," NOLA.com, June 29, 2014, http://www.nola.com/crime/index.ssf/2014/06/as_bourbon_street_shooting_occ.html; Richard Campanella, Bourbon Street: A History (Baton Rouge: Louisiana State University Press, 2014), 310.

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