Call for Submissions: Landscapes and Ecologies of the U.S. South Proposals due: January 31, 2011
...Ward, New Orleans, Louisiana, 2005. From Dorothy Moye's Katrina + 5: An X-Code Exhibition. 400-600 word proposals should include: a description of the major ideas, arguments, and sources for the...
Gordon Parks at Atlanta's High Museum of Art
...photography's historical role in the construction of African American identity. As a relatively new mechanical medium, training in early photography was not restricted by racially limited access to academic fine...
The Same Language: A Memoir by Ben Duncan
Video...
"Gaps in People's Lacks": James Franco's As I Lay Dying
...Los Angeles to New York to New Haven. Not content with just being a talented actor, Franco has spent the last few years trying to fashion himself into an arts...
Opening Spaces: On Tolerance and the Possibility for Love
"I'm tired of these categories." —Patricia Yaeger1Patricia Yaeger, Dirt and Desire: Reconstructing Southern Women's Writing, 1930–1990 (Chicago: University of Chicago Press, 2000), ix. In a recent New York Times opinion...
Naming Each Place
...work of other black writers Part 3: Trethewey and Brown discuss writing against the New Critics Part 4: Trethewey and Brown discuss working and hanging out in New Orleans and more Part...
Global Lives, Local Struggles: Latin American Immigrants in Atlanta
...centuries. This book won the President's Book Award for the best new book manuscript from the Social Science History Association and was named a Choice Outstanding Academic Book of 1996....
Sams Gap, North Carolina
...bridge at Sams Gap, Sams Gap, NC, 2001. Photo courtesy of Rob Amberg. NCDOT supervisors discussing work on the new Visitor Center, Sams Gap, NC, 2003. Photo courtesy of Rob...
Quilting Conversation
...working in New York in the 1970s, thanks in part to a 1971 exhibition at the Whitney Museum, Abstract Design in American Quilts, that put historical quilts in conversation with...
Mississippi as Metaphor State, Region, and Nation in Historical Imagination
Mississippi as Metaphor Part 2: Dr. Crespino discusses and suggests the limits of James Silver’s image of Mississippi as “the closed society” Part 3: Dr. Crespino traces the idea of Mississippi as...