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Transcript: Interview with Jim Bunkley

...did you start playing guitar? Jim Bunkley: I came up, my brothers had one, and me and my sister used to get up on a chair because we couldn’t hold...

COVID-19: Lessons in Ignorance

...and why. Cover of Michael Lewis's The Premonition: A Pandemic Story (New York: W.W. Norton, 2021). A case in point and cause for concern is Michael Lewis's bestselling The Premonition: A...

Searcy County Livestock Auction

...the country's premier sites for the purchase of fat hogs, ready for slaughter. But as the pork industry integrated vertically, fewer local farmers bred pigs, and eventually the auction house...

The Save All Quilt [ca. 1880]

...be used in another block, but this is not the case. The quilt maker must add quarter-inch seam allowances on all sides when cutting templates for a pattern. The addition...

Rosa Snoddy's Handkerchief Quilt [ca 1905]

..."sheetings, drills and print cloths, including red fancy bandanas used by railroad men." [Source: Michael Leonard, Our Heritage: A Community History of Spartanburg County (Spartanburg: Band & White, 1986), p....

Lynching and Local History: A Review of Troubled Ground

Review Rowan County Court House and Jail, Salisbury, North Carolina, circa 1905-1915. Courtesy of the Durwood Barbour Collection of North Carolina Postcards, North Carolina Collection, University of North Carolina at...

Returning Home, Saxon Mills

...carrying her clothes, my unborn sister, nothing left of marriage but the cheap ring. There was her father, Lonnie, the house painter, in Lantana. Lonnie, always drinking, laughing at poverty....

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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