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Rose Library Highlights: Amos Kennedy, Jr.

Amos Kennedy Print, Kennedy and Sons Collection, Emory University Manuscript, Archives, and Rare Book Library. On March 15, 2016, acclaimed printmaker Amos Kennedy, Jr. participated in a public conversation about...

Daily Life, State Power, and Theory in the Lonestar State: A Review of Robert Wuthnow's Rough Country

Review As I write this review of Robert Wuthnow's compelling account of Texas religious and cultural history, I am struck by two seemingly unrelated yet telling events that resonate...

Race, Capitalism, and the Rise and Fall of Black Beach Communities

Review Building on a rich literature that explores the spatial dimensions of US race relations and capital formation, Andrew Kahrl's The Land Was Ours traces the histories of African American...

Sams Gap, North Carolina

...the Appalachian Trail preparing to cross US 23 at Sams Gap, Sams Gap, NC, 2003. Contractor spreading mulch at the new Visitor Center on I-26 East, looking at Dale and...

Failed Memory Exercise

...And turned east, clattering toward the cotton gin, And returned empty, and faded beyond the track. Beyond those yards, where one day the sallow Dozers rolled and skinned back the...

The Black Belt

...Geologically, the region lies within the Gulf South's Coastal Plain in a crescent some twenty to twenty-five miles wide that stretches from eastern, south-central Alabama into northwestern Mississippi. The unusually...

A Video Excerpt from The Well-Placed Weed: The Bountiful Life of Ryan Gainey

...plants from the Holcombe Nursery in Decatur, five miles east of Atlanta. When he learned that the Holcombe family wanted to sell their property in 1980, he jumped at the...

US Poet Laureate Natasha Trethewey at Southern Spaces

...Reclaim." January 22, 2009. https://southernspaces.org/2009/absence-i-know-i-wont-reclaim. Phillips, Patrick. "Watching the Surface for a Sign." April 14, 2009. https://southernspaces.org/2009/watching-surface-sign. York, Jake Adam. "A Field Guide to Northeast Alabama." March 7, 2008. https://southernspaces.org/2008/field-guide-northeast-alabama....

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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