Brick by Brick: Atlanta’s Collier Heights
...Interior, National Park Service, National Register of Historic Places Registration Form: Collier Heights Historic District Application, NPS Form 10-900,OMB No. 1024-0018, received by NPS May 15, 2009, http://www.nps.gov/nr/publications/sample_nominations/CollierHeightsHD.pdf. Map of...
The War the Slaveholders Won: Indian Removal and the State of Georgia
Presentation About the Speaker Claudio Saunt is Richard B. Russell professor of American History, co-director of the Center for Visual History, and associate director of the Center for Native American Studies at...
St. Catherines Island Flyover
...the Authors Steve Bransford is an educational analyst for video with University Technology Services at Emory University. He launched his own production company, Terminus Films, in 2001. Anthony (Tony) Martin...
Resegregated Spaces: The Schools-to-Prisons Pipeline
...and from 1964 to 1975, worked as a field representative for the American Friends Service Committee on issues of voter registration, school desegregation, and economic development in the US South....
How I Shed My Skin
...the premise" (79). Though Grimsley remembers hearing these jokes in many places—"at a country store or a service station, places where men talked to other men" (79)—he recalls local churches...
Making Lumbeeland: An Interview with Malinda Maynor Lowery
...own goals, but runs into a problem with Child Protective Services that distracts him from being able to implement whatever kind of hazy plan this very young person, 25-ish, is...
Closer to the Ground: A Conversation with Ann Pancake
...know what WVU is like now, but at that time we had a large number of out of state students, partly because our tuition was so cheap, and the whole...
Discursive Memorials: Queer Histories in Atlanta's Public Spaces
...Increasing numbers of cars, trolleys, buses, and taxis enabled movement between downtown and suburbs; rural and urban areas; "colored" and "white" areas; and cultural and domestic spheres. The city's growth...
Brushes with War
...Oil on Canvas by Winslow Homer. Metropolitan Museum of Art, Accession Number 22.207. Edging past Homer's iconic sniper, visitors to the DC venue had plenty to see—a display of sixty...
The Liminal Site
...Avenue intersects Twenty-first. We float on red Alabama clay between service and industry, between Birmingham's present skyline of banks and hospitals and its past mine railroad, between midcentury modern houses...