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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Nannie's Stone: Commemoration and Resistance

...ease the Dead's transition into the other world and towards ancestral status.12Thompson, Robert Farris, Flash of the Spirit: African & Afro-American Art & Philosophy (New York: Random House, 2010); Vlach,...

The Makers of the Sacred Harp

...that “contributed to ‘breaking the bonds of custom, offering new experiences, calling out new institutions and activities’” (11, quoting Turner, 1920). The backdrop to The Sacred Harp’s emergence is not...

The Crowd He Becomes

...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...

Gordon Parks at Atlanta's High Museum of Art

...and respect. The headline in the New York Times photography blog Lens, for Berger's 2012 article announcing the discovery of Parks's Segregation Series, describes it as "A Radically Prosaic Approach...

Selma Bridge: Always Under Construction

...easy."7Michelle Malkin, "Queen of Cringe," New York Post, April 25, 2007; "The Big Story with John Gibson," Fox News Network, March 5, 2007. Straining to speak in the voice of...

Frank Willis

...I dance in toe shoes to the Beach Boys, in shame. Growing up in Washington I rode D.C. Transit, knew Senators, believed the Washington Monument was God's pencil because my...