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Authorship in Africana Studies

...articulate their freedom within the context of Pan-Africanism. Unsurprisingly, perhaps, my writing of Imoinda was not only interested in presenting challenging black women. Instead, as Guarracino notes, the project as...

The Bulletin—May 8, 2013

The Bulletin compiles news from in and around the US South. We hope these posts will provide space for lively discussion and debate regarding issues of importance to those living...

Imagining Southern Bodies: A Review of Sex, Sickness, and Slavery

...were weaker, more infertile, and more disease-prone than either of what Nott called the "pure" races. "Wild" Africans had been improved by the domesticating process of slavery. Freedom, however, would...

Race and Difference in the "Other America": A Review of Anne Braden: Southern Patriot

...systemic racism and economic inequality in the United States. Intended to reach a broad audience through television airings, distribution to high schools and colleges, and presentations by grassroots organizations and...

Landscapes and Ecologies of the US South: Essays in Eco-Cultural History

...were portrayed. Duval News Company, Old Slave Market, St. Augustine, Fla., Oldest City in the United States, c. 1915, recto. Collection of the Author. From "St. Augustine's 'Slave Market': A...

Sapelo Island Flyover

...Freezing is rare. Rainfall is about 50 inches (127 centimeters) a year, with the majority of precipitation during the May–September hurricane season. Despite the impact of Hurricane Matthew on October...

Nearly exhausted sulphur vat from which railroad cars are loaded, Freeport Sulphur Co., Hoskins Mound, Texas, 1943

Brushes with War

...Oil on Canvas by Winslow Homer. Metropolitan Museum of Art, Accession Number 22.207. Edging past Homer's iconic sniper, visitors to the DC venue had plenty to see—a display of sixty...

Blues in the Lower Chattahoochee Valley

...Album, 1–2. In 1825, with the signing of the infamous Treaty of Indian Springs between the United States and the Creek Nation, the way was opened for the forced final...

References
1.	Evans, David. "The Development of the Blues." Chapter. In The Cambridge Companion to Blues and Gospel Music, edited by Allan Moore, 20–43. Cambridge Companions to Music. Cambridge: Cambridge University Press, 2003.
2.	Fred Fussell, A Chattahoochee Album: Images of Traditional People and Folksy Places Around the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 2000), 1.
3.	Fred Fussell, Chattahoochee Album, 1–2.
4.	Fussell, 2.
5.	Fussell, 5.
6.	Fussell, 89.
7.	Email communication with the author, August 4, 2020.
8.	Liner notes from William Robertson's LP South Georgia Blues.
9.	"Cecil Barfield," Big Legal Mess Records, accessed August 5, 2020. https://biglegalmessrecords.com/collections/cecil-barfield.
10.	Precious Bryant, interview, 2003.
11.	Press bio, Terminus Records.
12.	George Mitchell, liner notes for the Revival Records LP George Henry Bussey and Jim Bunkley.
13.	Fussell, Fred. "'Cowboy' George Daniel: Blues Man from Creek Stand," Chattahoochee Tracings: Newsletter of the Historic Chattahoochee Commission, Volume 31, Fall 2003, p. 5.
14.	Email communication with the author, August 4, 2020.
15.	Bruce Bastin, Red River Blues: The Blues Tradition in the Southeast (Champaign: University of Illinois Press, 1986), 151.
16.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
17.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
18.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
19.	Green Paschal, interview, 1969.
20.	Green Paschal, interview, 1969.
21.	While some of the lyrical qualities of blues had longstanding roots in African American culture, the signature twelve-bar blues form didn't emerge until around 1900.
22.	Angela Y. Davis, Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. New York: Vintage Books, 1999), 126.
23.	Lawrence Levine, Black Culture and Black Consciousness: Afro-American Thought from Slavery to Freedom (New York: Oxford University Press, 1975), 269–270.
24.	George Mitchell, "Notes on the Attached CD Set," In Celebration of a Legacy: The Traditional Arts of the Lower Chattahoochee Valley (Eufala, AL: Historic Chattahoochee Commission, 1999), n.p.
25.	Bruce Bastin, "Truckin' My Blues Away—East Coast Piedmont Styles" in Nothing But the Blues: The Music and the Musicians, ed. Lawrence Cohn (New York: Abbeville Publishing Group, 1999), 209.
26.	Phone interview with Jake Fussell and the author on May 28, 2020.
27.	Dance Teacher Magazine, www.dance-teacher.com.
28.	David Evans, "Black Fife and Drum Music in Mississippi," Mississippi Folklore Register 6 (Fall 1972): 94–95.
29.	Alan Lomax, The Land Where the Blues Began (New York: The New Press,1993), 333.

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