Wild Notes: A Review of Dawoud Bey’s Elegy
...breath, not calm, but a sharp and sudden gasp, like the sound of a drowning body finally breaking through the line between water and air. This sound echoes Christina Sharpe’s...
The Digital Yoknapatawpha Project
...his own maps. We are trying to figure out what the relationship should be between Faulkner's own mapping and ours. The decisions and justifications that accompany the creation of any...
LiFT Art Salon: Hammonds House II
...stories about a lack of familiarity with local museums and cultural institutions. LiFT Art Salon measures success by the relationships it builds between people, institutions, and their histories, specifically between those spaces that...
Highlighting Charleston's African American History through the Lowcountry Digital History Initiative
...history projects about underrepresented race, class, gender, and labor histories in the South Carolina Lowcountry and the interconnected Atlantic World. This inclusive approach to Lowcountry history promotes greater awareness and audience...
Recording the Places of New Orleans Hip-hop through the NOLA Hip-hop and Bounce Archive
...Art in 2010 and includes over fifty photographic portraits and audio interviews with New Orleans rappers, DJs, producers, photographers, label owners, promoters, record store personnel, journalists, and other parties involved...
Local Color
...are "colored" by regionally defined characters, settings, folkways, and dialects. The paradox, and thus the richness, of this often discounted form lies in the tension between local and national that...
LiFT Art Salon: Hammonds House
...Xavier Blk and Will Edmond, two of Atlanta's hottest DJs and party promoters, discussed their business philosophy and the "creative" benefits of living as a collective. Finally, hometown R&B singer, Donnie,...
Preserving the Memory of Ybor City, Florida
...digitized materials makes American Memory the most diverse and comprehensive digital archive of American history and culture freely available and easily accessible to the public.4See http://memory.loc.gov/ammem/about/ for more information about...
No Country for Old Hippies: Jason Mellard's Progressive Country
...Austin's community-oriented scene. Mellard situates this music within the political fluidity of the 1970s, a contentious decade between the upheavals of the 1960s and the conservative reactions they provoked. Progressive...
New Patterns of Segregation: Latino and African American Students in Metro Atlanta High Schools
...between 1994/95-2007/08. There were clear differences in growth by racial group and by district. As shown in Table 1, between 1994/95-2007/08 the number of white high schoolers in the six...