Mourning Medgar: Justice, Aesthetics, and the Local
Presentation Part 2: Gwin explores temporal and spatial dimensions of mourning, posing questions of how to mourn and celebrate Evers Part 3: Gwin situates aesthetic and ethical responses from Baldwin,...
Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters
...city infrastructure/operation knowledge." 12ward asks, "I know you claim to live here . . . but have you actually talked to ANYONE here?" The rest of his 1,584 word comment/counter-essay...
Family Forestry in Twiggs County, Georgia / Live in Macon at the Douglass Theatre
...number one on Billboard's Pop charts and included "Ramblin' Man" and "Jessica." Leavell recorded two more albums before the Allmans disbanded. Emerging from the break-up with his rock/jazz/blues fusion group...
Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920
...(Source: "Shooting the Chutes," Atlanta Constitution (April 9, 1896), pg. 10. In the last decades of the nineteenth century, privately-owned amusement parks dotted the American landscape, and by 1920, between...
#598, Common Meter
...absent from the flesh, And present Lord, with thee. From Lloyd, Benjamin, The Primitive Hymns, Rocky Mount, North Carolina: The Primitive Hymns Corporation, 1975. Published: 17 August 2010...
Flatlands in the Outlands: Photographs from the Delta and Bayou
...as the region’s unique “spiritual geography.”7Tom Rankin, Sacred Space: Photographs from the Mississippi Delta (Jackson: University Press of Mississippi, 1993), 7. Rankin’s three photographs in the “Outlands” exhibit chronicle the...
Editors
...1865–1920 (University of Georgia Press, 1980). He is also editor of The New Regionalism (University Press of Mississippi, 1997) and Religion in the South (University Press of Mississippi, 1985), as...
Sea Changes in Personhood
...of him that doth fade But doth suffer a sea-change Into something rich and strange. —The Tempest Wifredo Lam's The Jungle, gouache on paper mounted on canvas, 1943. Photograph by...
On Native Ground: Indigenous Presences and Countercolonial Strategies in Southern Narratives of Captivity, Removal, and Repossession
...Removal Routes from James W. Clay, Paul D. Escott, Land of the South (Birmingham, AL: Oxmoor House, 1989). As Indian removal gets underway in the early 1830s, captivity narratives situated...
Tuscaloosa: Riversong
By Honorée Fanonne Jeffers for Mister Weaver 1. Black Warrior speaks The night before they came, I walked on my river. I had strange dreams: bloody shouts to the sun,...