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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Winslow Homer and the American Civil War

Presentation Part 2: Wood details the history of Winslow’s painting, “Near Andersonville.” Part 3: Wood explains Homer’s possible motivations for painting “Near Andersonville Part 4: Examining soldiers in the painting, Wood offers a...

St. Augustine's "Slave Market": A Visual History

...(1984); Jane Landers, ed., Against the Odds: Free Blacks in the Slave Societies of the America (London: Frank Cass, 1996); and Margo Pope, "Slavery and the Oldest City," The St. Augustine...

Africana Archives: Making Art at the Schomburg

...of a national network of what anthropologist St. Clair Drake used to call the "vindicationist school" of black intellectuals. Responding to what I have called the reigning unwisdom of the...

Homage to Mississippi John Hurt

...week after I bought it, while it traveled between Herman Wallecki & Sons of Los Angeles and southern Illinois, I dreamed of a guitar so old it had weathered gray...

Black. Queer. Southern. Women.

...build networks of activism and care (13:40). Part Five Bridgforth on growing up in Los Angeles, raised by people from Memphis, and New Orleans, listening to stories, and writing to...

Congregation

...from the car, take away the generator, the air conditioner, whatever there was to be had. He watched his phone for a signal, watched the sky for signs of a...

Love and Death at Second-Line

...car in the Quarter. Cell phones came out, some calling 911, others telling what happened. Word of mouth was that Joe the bar owner had shot the man for selling...