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The Web of Cis-Atlantic History: A Review of Louisiana: Crossroads of the Atlantic World

...Louisiana remained in practice what historian Kathleen Duval refers to as a "Native Ground" well into the nineteenth century.1Kathleen DuVal, The Native Ground: Indians and Colonists in the Heart of the...

Seeds of Rebellion in Plantation Fiction: Victor Séjour's "The Mulatto"

...and battery against free persons are severely punished even by death if the person struck falls to the ground" (210). Zelia's action, deemed rebellious within the dictates of the system...

Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces

...menu offering ways to browse the journal's content organized by publication type, author, series/collection, or year of publication. Individual publication pages foreground accessibility through larger, more legible text and heading, improved...

Baptists and Witches: Multiple Jurisdictions in a Muskogee Creek Story

...better. Mama said to stay around the church grounds." "Aw, you're just afraid." "No, it's just that—" "'Mama said to stay around the church grounds!' Fraidycat, I'll go by myself...

The Makers of the Sacred Harp

...for use around the campfire, a testament to their love of the music considering the volume’s size and weight. A number of composers less directly involved in the book’s production...

Blues in the Lower Chattahoochee Valley

...around Columbus. On weekends, he and his wife Cathy drove within a fifty-mile radius, and, to their great delight, learned that the area was filled with exceptional blues players. "Every...

The Tulip Quilt [ca 1880]

...also typical of southern quilts of the era in that the blocks are set solidly within a grid of wide fabric strips, called "sashing." She quilted around the edges of...

The Black Belt

The Black Belt Traditional Counties of the Alabama Black Belt. In the 1820s and 30s, the Black Belt identified a strip of rich, dark, cotton-growing dirt drawing immigrants primarily from...

References
1.	See King, "This book is the record of an extensive tour of observation through the States of the South and South-west during the whole of 1873, and the Spring and Summer of 1874" (i).
2.	See King's subtitle: "A Record of Journeys in Louisiana, Texas, the Indian Territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland."
3.	See Jennifer Greeson, Our South: Geographic Fantasy and the Rise of National Literature (Cambridge, MA: Harvard University Press, 2010).
4.	"The emergence of William Faulkner as the centerpiece of narrowly focused notions of Southern identity seemed to crystallize the inward-looking aspect of the discipline" (5).
5.	In a June 2001 special issue of American Literature, Houston A. Baker, Jr. and Dana D. Nelson coined the phrase "new Southern Studies" as an "emerging collective already producing a robust body of work" in rethinking southern culture (231). Baker and Nelson cite Patricia Yaeger's Dirt and Desire (2000) as one of these works. Baker's Turning South Again (2001) represents his own venture at this scholarship.
6.	Lowe cites Glissant, Foucault, Bhabha, and Brent Staples as further influences. See Paul Gilroy, The Black Atlantic: Modernity and Double-Consciousness (Cambridge, MA: Harvard University Press, 1995); Joseph Roach, Cities of the Dead (New York: Columbia University Press, 1996). One can see Lowe approaching the term "circumCaribbean" in his earlier article on these subjects; in writing of Roach's "path-breaking" work, Lowe praises him for adumbrating "a culture of performance that circles around the Caribbean rim" (71). See Lowe, "'Calypso Magnolia': The Caribbean Side of the South," South Central Review 22, no. 1, 54–80.
7.	Lowe broached this type of critical move at moments. In his final chapter, he posits a reading of Cristina García's The Agüero Sisters alongside Faulkner's Absalom, Absalom!. However, the aims of Calypso Magnolia seem to be more syncretic and surveying (317).
8.	As Brown writes in her review of Lowe's earlier "Calypso Magnolia," "I can see many benefits of using the sea… to find points of connection between the South and the Caribbean" (83).
9.	Other than a passing reference to Faulkner's Mississippi, the only traditionally defined "southern" writer to appear in Island People is Georgian Flannery O'Conner, whose relationship to depictions of race is mentioned in reference to Jean Rhys (12, 367).
10.	Joshua Jelly-Schapiro, "Introduction," in The Traveller's Tree: A Journey through the Caribbean Islands (New York: New York Review of Books, 1950, 2011), ix–x.
11.	José Quiroga, Tropics of Desire: Interventions from Queer Latino America (New York: New York University Press, 2000), xiii.
12.	The reader follows Jelly-Schapiro from Kingston's Myrtle Bank Hotel (44) to Havana's Hotel Nacional (99) and Havana Hilton (100) to San Juan's Condado Vanderbilt Hotel (175) to La Romana's Casa de Campo (216), Port-au-Prince's Hotel Oloffson (260), George Town's unnamed Hotwire.com recommendation (281), Grenada's Heliconia guesthouse (296), to Antigua's Sandals and "Florida-style condos" (309), St. John's Heritage Hotel (310), Fort-de-France's Hotel L'Imperatrice (336), Dominica's Pointe Baptiste (369), and finally, Jelly-Schapiro's last stop, Trinidad's "ugly new Hyatt" (400).
13.	A small list of Island People's inhabitants: in Puerto Rico (via the Bronx), we find Rita Moreno, Pedro Albizu Campos, Luis Muñoz Marín, Tito Puente, "El Cantante" Héctor Lavoe all sharing the same island; in the Dominican Republic, we read about tigueres, the Coliseum of Cockfighting (208), the "sex economy" (206), Trujillo, "los morenos" and a lack of "pride" in "racial hybridity" (221, 203), perejil and el corte; in Haiti, centered in the text, "at the core of the Caribbean story" (226), again revealing C. L. R. James's influence, the same perejil and el corte, Kreyol, the Massacre River, Toussaint L'Ouverture, Dessalines, the Citadel and Henri Christophe, Boukman, the Duvaliers, Tonton Macoutes, Carnival of Flowers and earthquakes where the "'earth moved like a wave and all was ruined'" (261), Titanyen and bodies, Wyclef Jean, Cité Soleil, Katherine Dunham, and "people's invisibility to their own state" (265); in the Lesser Antilles, we read about George Lamming and Rihanna, Paule Marshall, Jamaica Kincaid, Maurice Bishop, Barbuda's "breeding myth" (308), Montserrat's "volcano crisis" (315), Martinique's Aimé Césaire, Glissant, Fanon, Chamoiseau, and other "literary riches" (358), Jean Rhys and Dominica's "Candy Land for lovers of nature and calm" (365).

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