Lyle Saxon and the WPA Guide to New Orleans
...the clangor of drays and aroma of roasting coffee had once filled the air, locals and out-of-towners now stroll past art galleries, trendy eateries, and boutique hotels and condos. One...
Ramp Hollow: The Ordeal of Appalachia
...of collective identities in the service of an ethical politics, see Critchley, Infinitely Demanding. I have especially learned from David Whisnant's "Developments in the Appalachian Identity Movement," which though published...
Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014
...this decentralized music culture. Minutes detail the name of each song leader, the page number(s) of song(s) each person led, the names of officers and committee members, these committees' reports,...
The Chesapeake Bay
...they were not conservationists. They cleared lands and moved as necessary, their low numbers making little impact on the available resources (with the significant exception of white-tail deer which Indians...
Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives
...of the Arkansas Delta and New Orleans, moved back to the South where he grew up in Pine Bluff, Arkansas,and the Crescent City. Reed attended college in Chapel Hill, North...
August, 1959: Morning Service
Beside the open window on the cemetery side, I drowsed as Preacher Lusk gripped his Bible like a bat snagged from the pentecostal gloom. In that room where heat clabbered...
The Makers of the Sacred Harp
...In the case of the “revival spiritual songs” that began to appear in great numbers in 1840s tunebooks, including The Sacred Harp, Steel speculates that some may have had their...
"This is Not Dixie:" The Imagined South, the Kansas Free State Narrative, and the Rhetoric of Racist Violence
...The total number of violent incidents identified in the sample undoubtedly represents only a fraction of those which actually transpired.16For an analysis of racist violence in Kansas, see Brent MacDonald...
A Woman's Work: Jim Crow Modernity and the Remaking of the Carceral State
Review There's a gripping scene in Arthur Jafa's award-winning film, Dreams Are Colder Than Death, in which he pairs the image of a small group of African American boys acrobatically...
A City Divided
...and black occupancy increased, elite whites became distressed about more African American homes, which they equated with urban disorder. From 1899 to 1910, the number of households within the declared...