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Something True about Louisiana: HBO's True Detective and the Petrochemical America Aesthetic

...Ottinger found lacking in the book: stories of people.5Ottinger writes, "The authors are unable to present a more coherent account of what change might look like, I believe, because of...

Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two

...world, to work for the treasure in heaven. So I sat waiting for Mama in the car, reading the Bible, opening the book of Revelations, longing for the place after...

Whatwuzit?: The 1996 Atlanta Summer Olympics Reconsidered

...Atlanta was voted number two in Fortune's 1995 'Best Cities for Business' list, the city also ranks number two in the nation in income disparity between blacks and whites, number...

Negotiating Gender Lines: Women's Movement across Atlanta Mosques

...of a substantial number of prosperous black Atlantans, we might imagine that African American Muslims are more likely to live in Atlanta than in Chicago in the same neighborhoods or...

MARBL Highlights: The Black Comic Books Collection

...Rare Book Library recently acquired several independent black comic book series as part of a concerted effort to expand the African American periodicals collection. The three-volume trade paperback Brotherman: Dictator of Discipline is...

Blues in the Lower Chattahoochee Valley

...use the word "blues" to advertise her traveling act. With her husband William "Pa" Rainey, she toured extensively with a number of different traveling groups, including the famous Rabbit Foot...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...disasters were other popular cyclorama subjects.7Stephan Oettermann, The Panorama: History of a Mass Medium (New York: Zone Books, 1997), 343; Angela Miller, "The Panorama, the Cinema, and the Emergence of...

References
1.	Steven E. Woodworth, Nothing But Victory: The Army of the Tennessee, 1861–1865 (New York: Alfred A. Knopf, 2005), 567–568.
2.	Gary Ecelbarger, The Day Dixie Died: The Battle of Atlanta (New York: Thomas Dunne Books/St. Martin's Press, 2010), 213–214.
3.	James M. McPherson, Embattled Rebel: Jefferson Davis as Commander in Chief (New York: The Penguin Press, 2014), 205; Brian Holden Reid, The Scourge of War: The Life of William Tecumseh Sherman (New York: Oxford University Press, 2020), 330.
4.	Carole Emberton, Beyond Redemption: Race, Violence, and the American South After the Civil War (Chicago: University of Chicago Press, 2013), 146, 155, 201; Gregory P. Downs, The Second American Revolution: The Civil War-Era Struggle Over Cuba and the Rebirth of the American Republic (Chapel Hill: University of North Carolina Press, 2019), 136; Leon F. Litwack, "Hellhounds," in Without Sanctuary: Lynching Photography in America, ed. James Allen (Santa Fe, NM: Twin Palms Publishers, 1999), 8–37.
5.	David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, MA: Harvard University Press, 2001), 31–97; Caroline E. Janney, Remembering the Civil War: Reunion and the Limits of Reconciliation, (Chapel Hill: University of North Carolina Press, 2013), 73–159.
6.	Chris Brenneman and Sue Boardman, The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas (El Dorado Hills, CA: Savas Beattie, 2015), 14; Ralph Hyde, Panoramania! (London: Trefoil Publications, 1988), 172.
7.	Stephan Oettermann, The Panorama: History of a Mass Medium (New York: Zone Books, 1997), 343; Angela Miller, "The Panorama, the Cinema, and the Emergence of the Spectacular," Wide Angle 18, no. 2 (1996): 35–69.
8.	Miller, "Panorama," 55.
9.	Alison Griffiths, "'Shivers Down Your Spine': Panoramas and the Origins of Cinematic Reenactment," Screen 44, no. 1 (2003): 1–37.
10.	Antje Petty, "German Artists—American Cyclorama: A Nineteenth-Century Case of Transnational Cultural Transfer" (presentation, German Studies Association 34th Annual Conference, Oakland, CA, October 7–10, 2010, Oakland, CA), https://mki.wisc.edu/wp-content/uploads/sites/1100/2014/10/Petty_GSA-2010_Panorama.pdf.
11.	Susan Tenneriello, Spectacle Culture and American Identity: 1815–1940 (New York: Palgrave Macmillan, 2013), 2–14.
12.	Evelyn J. Fruitema and Paul A. Zoetmulder, eds. The Panorama Phenomenon: Mesdag Panorama 1881–1981 (The Hague, Netherlands: Foundation for the Preservation of the Centenarian Panorama, 1981), 18.
13.	Louise Spence and Vinicius Navarro, Crafting Truth: Documentary Form and Meaning (New Brunswick, NJ: Rutgers University Press, 2011), 11.
14.	William A. Dobak, Freedom By the Sword: The U.S. Colored Troops, 1862–1867 (Washington, DC: US Army Center of Military History, United States Army, 2011), 501; Thavolia Glymph, The Women's Fight: The Civil War's Battles for Home, Freedom, and Nation (Chapel Hill: University of North Carolina Press, 2020), 10; Judith A. Giesberg, Civil War Sisterhood: The U.S. Sanitary Commission and Women's Politics in Transition (Boston: Northeastern University Press, 2000), 4.
15.	Stephanie McCurry, Women's War: Fighting and Surviving the American Civil War (Cambridge, MA: The Belknap Press of Harvard University Press, 2019), 204.
16.	William A. Blair, "Reconciliation as a Political Strategy: The United States After Its Civil War," in Reconciliation After Civil Wars: Global Perspectives, ed. Paul Quigley and James Hawdon (New York: Routledge, 2019), 217–231.
17.	Robert Lang, ed. The Birth of a Nation: D. W. Griffith Director (New Brunswick, NJ: Rutgers University Press, 1994), 134.
18.	Leon F. Litwack, "The Birth of a Nation," in Past Imperfect: History According to the Movies, ed. Ted Mico, John Miller-Monson, and David Rubel (New York: Henry Holt and Company, 1995), 136–141.
19.	Robert Burgoyne, The Hollywood Historical Film (Malden, MA: Blackwell Publishing, 2008), 26.
20.	Michael Rogin, "'The Sword Became a Flashing Vision': D. W. Griffith's The Birth of a Nation," Representations 9 (Winter 1985): 150–195.
21.	Milton MacKaye, "The Birth of a Nation," Scribner's Magazine 102, no. 5 (1937): 40–46; James Chandler, "The Historical Novel Goes to Hollywood: Scott, Griffith, and Epic Film Today," in The Romantics and Us: Essays on Literature and Culture, ed. Gene W. Ruoff (New Brunswick, NJ: Rutgers University Press, 1990), 237–273.
22.	John Belton, American Cinema/American Culture (New York: McGraw-Hill, 1994), 15; Bruce Chadwick, The Reel Civil War: Mythmaking in American Film (New York: Alfred A. Knopf, 2001), 97.
23.	Ruth Elizabeth Burks, "Gone With the Wind: Black and White in Technicolor," Quarterly Review of Film and Video 21, no. 1 (2004): 53–73; Jenny Barrett, Shooting the Civil War: Cinema, History and American National Identity (London: I.B. Tauris, 2009), 35; Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (New Brunswick, NJ: Rutgers University Press, 2015), 157–160.
24.	Davarian L. Baldwin, "'I Will Build a Black Empire': The Birth of the Nation and the Specter of the New Negro," Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 599–603.
25.	Melvyn Stokes, D. W. Griffith's The Birth of a Nation: A History of the "Most Controversial Motion Picture of All Time" (New York: Oxford University Press, 2007), 129–170; Cara Caddoo, "The Birth of a Nation's Long Century," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
26.	Mark E. Benbow, "Birth of a Quotation: Woodrow Wilson and 'Like Writing History With Lightning,'" Journal of the Gilded Age and Progressive Era 9, no. 4 (2010): 509–533.
27.	Michael T. Martin, "Revisiting (As It Were) the 'Negro Problem' in The Birth of the Nation," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
28.	Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised Edition (London: Verso, 2006), 201.
29.	Anderson, Imagined Communities, 6–7.
30.	Nicola Cooper and Martin J. Hurcombe, "The Figure of the Soldier," Journal of War and Culture Studies 2, no. 2 (2009): 103–104.
31.	Wilbur Zelinsky, Nation Into State: The Shifting Symbolic Foundations of American Nationalism (Chapel Hill: University of North Carolina Press, 1988), 155.
32.	Elisa Tamarkin, Anglophilia: Deference, Devotion, and Antebellum America (Chicago: University of Chicago Press, 2008), xxvi.
33.	David Armitage, Thomas Bender, Leslie Butler, Don H. Doyle, Susan-Mary Grant, Charles S. Maier, Jörg Nagler, Paul Quigley and Jay Sexton, "Interchange: Nationalism and Internationalism in the Era of the Civil War," Journal of American History 98, no. 2 (2011): 455–489.
34.	Heather Cox Richardson, Wounded Knee: Party Politics and the Road to an American Massacre (New York: Basic Books, 2010), 11; Pekka Hämäläinen, Lakota America: A New History of Indigenous Power (New Haven, CT: Yale University Press, 2019), 378.
35.	Clayton D. Laurie and Ronald H. Cole, The Role of Federal Military Forces in Domestic Disorders, 1877–1945 (Washington, DC: US Army Center of Military History, 1997), 145.
36.	Richard White, Railroaded: The Transcontinentals and the Making of Modern America (New York: W.W. Norton, 2011), 431.
37.	A.G. Hopkins, American Empire: A Global History (Princeton, NJ: Princeton University Press, 2018), 337.
38.	Matthew Frye Jacobson, Barbarian Virtues: The United States Encounters Foreign Peoples at Home and Abroad, 1876–1917 (New York: Hill and Wang, 2000), 42.
39.	William McKinley, Speeches and Addresses of William McKinley, From March 1, 1897 to May 30, 1900 (New York: Doubleday & McClure, 1900), 159–160.
40.	C. A. Bayly, The Birth of the Modern World, 1780–1914 (Malden, MA: Blackwell Publishing, 2004), 199.

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