Sea Changes in Personhood
...Sublime: Ecology and Resistance in the American Plantation Zone," is an expanded version of a piece Allewaert published in PMLA.2Monique Allewaert, "Swamp Sublime: Ecologies of Resistance in the American Plantation...
The South as Foil: A Review of This Is Not Dixie
...frame and explored violence directed against racial and ethnic groups other than African Americans.2See William D. Carrigan and Christopher Waldrep, eds., Swift to Wrath: Lynching in Global Historical Perspective (Charlottesville:...
Separate and Unequal Schools: The Past Is Future
...no reliable data on the number of children with special needs enrolled in private schools. A small number were established to serve special needs students, but the vast majority do...
Louisiana: Crossroads of the Atlantic World
...Richard Weyhing is an assistant professor of history at State University of New York at Oswego specializing in early American history, Native American history, and history of the Atlantic World....
Katrina, One Year Later: Three Perspectives
...commencing this project, I did have one reservation: the fear of exploiting the suffering of others — a concern that was shared by both of my colleagues. The influx of...
A Well-Tied Knot: Atlanta's Mobility Crisis and the 2012 T-SPLOST Debate
...numbers, vetting projects, and trading horses in an effort that to longtime observers must have seemed a fool's errand. Competition, not collaboration, had long characterized metropolitan relationships and it wasn't...
African Americans in Atlanta: Community Building in a New South City
...old racial order. The city's African American population contended with the framework of this struggle. In 1870, Blacks accounted for nearly half of Atlanta's population. As free persons they competed...
Transcript of "When I Say 'Steal,'Who Do You Think Of?": Part One
...breakfast for $2.00 each at the hospital cafeteria, where Helen and Barbara, who are African American, are serving grits and biscuits and sausage, having gotten up at 4:30 a.m. Later...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What are...
Wild Notes: A Review of Dawoud Bey’s Elegy
...Dawoud Bey (American, born 1953). Rennie Collection, Vancouver. Image © Dawoud Bey. Right, Open Window, from the series In This Here Place, 2019, Gelatin Silver Print by Dawoud Bey (American,...