Lift Every Voice and Sing: The Quilts of Gwendolyn Ann Magee
...rights movement, careers in social work and business, and her experiences as a wife, mother, and grandmother. A native of High Point, North Carolina, Magee lived most of her adult...
"Looking Back and Moving Forward": The Records of the Southern Christian Leadership Conference at Emory University's Manuscript, Archives, and Rare Book Library
...United States. In a letter to SCLC’s membership, Lowery described Winn-Dixie’s business in South Africa as an insult to the grocery chain’s African American customer base and condemned what he...
Undoing the Voting Rights Act
...racial disparity burdens only a small number of minority voters in a small, rural polling place, does the relatively "small" size of the harm argue against a finding of a...
Latinos, the American South, and the Future of US Race Relations
...estimated in April 2006 that "there must be 10,000 to 20,000 immigrant workers in the region by now, and the number is going to grow."3Sam Quinones, "Migrants Find a Gold...
Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces
...recounting her use of an article on our site in her teaching. Viewing Andrew M. Busch's Southern Spaces article "Crossing Over" on a phone. Screen capture of the new Southern...
The Crowd He Becomes
...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...
Shadows along the Waccamaw
Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...
Letter: Blues
Those Great Lake Winds Blow all around: I'm a light-coat man In a heavy-coat town. — Waring Cuney Yellow freesia arc like twining arms; I'm buying shower curtains, smoke alarms,...
Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives
...an all-white restaurant, or to momentarily avoid a racial indignity. Some white leaders openly acknowledged what a large number of various skin complexions meant in the real life of...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...I specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What...