Envisioning Faulkner and Southern Literature
...realization of race and class continues to be Sutpen's epiphany in Absalom, Absalom! after he is turned away, pointedly classified, by the well-dressed doorkeeper of a Tidewater residence and sent...
Vernacular and Universal Prejudice
...for immigrants from Mexico who have come to live, work, and die in the United States (in quite significant numbers even in military service, to which the American establishment readily...
The Makers of the Sacred Harp
...In the case of the “revival spiritual songs” that began to appear in great numbers in 1840s tunebooks, including The Sacred Harp, Steel speculates that some may have had their...
Unearthing the Weeping Time: Savannah's Ten Broeck Race Course and 1859 Slave Sale
...venue to the "Race Course," and reduced the number of persons for sale: Joseph Bryan’s Advertisements for the “Sale of Slaves”, The Savannah Daily Morning News, February 27, 1859. Mortimer...
Psychiatry in the Wake: Racism and the Asylumed South
...health and healing where there were small numbers of Black patients.11Fett, Working Cures. Gonaver warns us not to read Galt's attitude as any kind of emancipatory rhetoric, but as representing...
The Crowd He Becomes
...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...
An Excerpt from Inseparable: The Original Siamese Twins and Their Rendezvous with American History
...however, something unexpected happened. An African American named Brenda Ethridge stepped up to the microphone. She introduced herself as a descendant of Aunt Grace, the first slave owned by Chang...
A Real American Horror Story: On Steve McQueen's 12 Years a Slave
...with slasher films or low-budget thrillers like Paranormal Activity, which are practically minting money at the box office. Instead, it combines gothic terror tropes with classic Hollywood narrative and aesthetic...
Somewhere Like Real Life: On Richard Linklater's Boyhood
...in a way that is simultaneously more radical and more classical than Linklater's previous experimental films. For all of its production-related innovation, Boyhood tells a simple story about the lives...
Documenting Migrants: An Interview with Charles D. Thompson
...special their Appalachian farm was to our family and how rare my experience was. Even growing up in southwest Virginia, I remember having to argue with a couple of classmates...