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Somewhere Like Real Life: On Richard Linklater's Boyhood

...San Marcos, to Austin, to Big Bend National Park near the West Texas-Mexico border, the film has a vast canvas that contrasts with the seeming smallness of the story to...

Dixie Destinations: Rereading Jonathan Daniels's A Southerner Discovers the South

...Vanderbilt University Press, 1967); Linda Reed, Simple Decency and Common Sense: The Southern Conference Movement, 1938-1963 (Bloomington: Indiana University Press, 1991); Carlton and Coclanis, Confronting Southern Poverty , 27-28; and Gilmore, Defying Dixie, 269-71....

The South as Foil: A Review of This Is Not Dixie

...State University and a member of the Richards Civil War Era Center. Rothera's dissertation analyzes civil wars and reconstructions in the United States, Mexico, and Argentina in the period 1860–1880....

Before Tuskegee: Public Health and Venereal Disease in Hot Springs, Arkansas

...One of this "great majority" was Virgil Oren Adams. A native of Clovis, New Mexico, during the early 1930s Adams made several visits to the Hot Springs VD clinic. Each...

American Coast, Imperiled Energy: Jason P. Theriot’s American Energy, Imperiled Coast

...the coast, Theriot asserts broader spatial implications: developments in offshore drilling and wetland science around the world developed in and through the Gulf of Mexico. His account is largely descriptive,...

Oak Ridgidness: Lindsey Freeman’s Longing for the Bomb

...Mexico (Princeton, N.J: Princeton University Press, 2006); Peter van Wyck, The Highway of the Atom (Montreal: McGill-Queens University Press, 2010). Beginning with Elaine Tyler May's Homeward Bound and Paul Boyer's...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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