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Southern Spaces
A journal about real and imagined spaces and places of the US South and their global connections

Eggleston's South: "Always in Color"

...was panned by art critic Hilton Kramer, as "Perfectly banal, perhaps. Perfectly boring, certainly."2Hilton Kramer, "Art: Focus on Photo Shows," The New York Times, May 28, 1976, 62.  The New...

The Shenandoah Valley

...Illustration. Courtesy of the New York Public Library Miriam and Ira D. Wallach Division of Art, Prints, and Photographs, digitalcollections.nypl.org/items/510d47da-286d-a3d9-e040-e00a18064a99. Sheridan's raid went into local history as "the burning." Far...

The Makers of the Sacred Harp

...that “contributed to ‘breaking the bonds of custom, offering new experiences, calling out new institutions and activities’” (11, quoting Turner, 1920). The backdrop to The Sacred Harp’s emergence is not...

Editors

...2007), and New Negro Politics in the Jim Crow South (University of Georgia Press, 2016). She is co-editor of Punitive Turn: New Approaches to Race and Incarceration (University of Virginia Press, 2013) as well...