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Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces

...recounting her use of an article on our site in her teaching. Viewing Andrew M. Busch's Southern Spaces article "Crossing Over" on a phone. Screen capture of the new Southern...

The Crowd He Becomes

...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...

Shadows along the Waccamaw

Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...

Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives

...an all-white restaurant, or to momentarily avoid a racial indignity. Some white leaders openly acknowledged what a large number of various skin complexions meant in the real life of...

Psychiatry in the Wake: Racism and the Asylumed South

...health and healing where there were small numbers of Black patients.11Fett, Working Cures. Gonaver warns us not to read Galt's attitude as any kind of emancipatory rhetoric, but as representing...

Discursive Memorials: Queer Histories in Atlanta's Public Spaces

...end."3James E. Young, The Texture of Memory: Holocaust Memorials and Meaning (New Haven and London: Yale University Press, 1993), 21. In this sense, memorials might be ongoing dialogues that could...

Ethnic Cleansing and the Trail of Tears: Cherokee Pasts, Places, and Identities

...Texas Cherokees numbered several hundred while around five thousand western Cherokees settled in present-day western Arkansas and eastern Oklahoma. Many of the 16,500 who still inhabited their ancestral homeland in...

Residues of Border Control

...a populated space and port of entry evoke humanity.2Judith Butler, Frames of War. When Is Life Grievable (London: Verso, 2009), 25. Susan Harbage Page, Yellow toothbrush, Brownsville, Texas, 2007. The populated...

References
1.	I attended and observed preparations for the Moore’s Ford reenactments in 2007, 2008, 2009 and 2010. I have interviewed many participants in the 2005 and 2006 reenactments.
2.	For an account of earlier memorial practices at Moore’s Ford see Mark Auslander, "'Return to Sender:' Confronting Lynching and Our Haunted Landscapes.“ Southern Changes, Vol. 24, No. 1-2, 2002, pp. 4-7.
3.	Inge Nielsen, Cultic Theatres and Ritual Drama: A Study in Regional Development and Religious Interchange between East and West in Antiquity (Aarhus, Denmark: Aaruhus University Press, 2002).
4.	Rory Tuner, “Bloodless Battles: The Civil War Reenacted,” The Drama Review, Vol. 24, no. 4 (1990).
5.	Alice Correia, “Interpreting Jeremy Deller’s The Battle of Orgreave,” Visual Culture in Britain, Vol. 7, no. 2 (2006).
6.	Oren Baruch Stier, “Different Trains: Holocaust Artifacts and the Ideologies of Remembrance,” Holocaust and Genocide Studies, Vol. 19, no. 1 (2005).
7.	Jo Blatti, “Field to Factory: Afro-American Migration, 1915-1940,” Oral History Review, Vol. 16, no. 1 (1988). The exhibition was curated by Spencer Crew and designed by Jim Sims.
8.	Handler and Gable report that white reenactors and staff at Colonial Williambsurg tend to minimize the cruelty of the slavery system. Richard Handler and Eric Gable, The New History in the Old Museum: Creating the Past at Colonial Williamsburg (Durham: Duke University Press, 2002): p.225.
9.	James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, no. 4 (1999): p. 30.
10.	The protests against the auction were organized primarily by the local NAACP and SCLC chapters. In her detailed analysis of this episode Lisa Woolfork argues that much of the local African American opposition to the auction was deeply gendered; senior male African American activists and civil rights leaders, she suggests, were offended that the auction was conceived of and planned by female African American professionals at Colonial Williamsburg. Lisa Woolfork, Embodying American Slavery in Contemporary Culture (Urbana: University of Illinois Press, 2009). See also James Oliver Horton, “Presenting Slavery: The Perils of Telling America's Racial Story,” The Public Historian, Vol. 21, No. 4 (1999).
11.	In spring 2010 a Lumpkin County, Georgia high school history teacher was placed on leave after her students, planning on creating an anti-racist film about lynching, walked through the school cafeteria wearing Klan robes. See: http://www.wsbtv.com/news/second-teacher-at-center-of-kkk-controversy/241731973.
12.	I wish to emphasize that local community disagreements with the urban-based organizers of the reenactments, over issues such as the age of the vehicle, were nuanced and low key. Nearly all local participants would be extremely reluctant to offer public critique of a figure such as Representative Boyd, whom is widely regarded in the Georgia African American community as a hero of the civil rights struggle.
13.	It is interesting to note that in 2008 a friend of Jane’s, one of the organizers of the performance, made the doll out of nylon pantyhose. So in that year the doll and Martin’s shirt shared powerful affinities, both were articles of clothing stained with blood.
14.	Roland Barthes, Camera Lucida, tr. Richard Howard (New York: Hill and Wang, 1981).

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