Katrina + 5: An X-Code Exhibition
...RIGHT QUADRANT — Personal hazards. BOTTOM QUADRANT — Number of live and dead victims still inside the structure. ["0" = no victims] National Urban Search and Rescue (US&R) Response System,...
Jake Adam York Interviews Sandra Beasley
...a PhD in creative writing and English literature from Cornell University. He is currently an associate professor of English at the University of Colorado, Denver, where he directs the creative...
Jake Adam York Interviews Natasha Trethewey
...Cornell University. He is currently an associate professor of English at the University of Colorado, Denver, where he directs the creative writing program. York has published two books of poetry,...
The Sub Series: Henry County, Georgia
Henry County 2008 The subordinate status rhetorically applied to some areas, neighborhoods, and home loans belies a contemporary reality: more US citizens reside in suburbs than in the country or...
Navigating Jim Crow: A Review of Adolph L. Reed's The South: Jim Crow and Its Afterlives
...an all-white restaurant, or to momentarily avoid a racial indignity. Some white leaders openly acknowledged what a large number of various skin complexions meant in the real life of...
Psychiatry in the Wake: Racism and the Asylumed South
...health and healing where there were small numbers of Black patients.11Fett, Working Cures. Gonaver warns us not to read Galt's attitude as any kind of emancipatory rhetoric, but as representing...
Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces
...recounting her use of an article on our site in her teaching. Viewing Andrew M. Busch's Southern Spaces article "Crossing Over" on a phone. Screen capture of the new Southern...
The Crowd He Becomes
...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...
Shadows along the Waccamaw
Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...
"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic
...specifically reference the Pulse tragedy in my work with the number 49. A lot of my work features the multiplicity of that number. The blood slide pieces in What are...