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Remnants of Flannery

...eighty-nine years old today. O'Connor's legacy is unique among southern writers. Unlike contemporaries Eudora Welty or Carson McCullers, O'Connor primarily wrote short stories that drew upon her bleak, dark, and...

"I Used That Katrina Water To Master My Flow": Rap Performance, Disaster, and Recovery in New Orleans

...the air. See 93.3FM radio star Wild Wayne's oral history interview at http://www.nolahiphoparchive.com. Today, WWOZ's official policies regard rap and bounce as part of the New Orleans music canon, and...

The "Achilles' Heel" of Jim Crow: A Review of Landscapes of Exclusion

...white supremacy—deserted and superfluous. Today, physical evidence of Jim Crow's imprint on southern state parks is hard to find, except in the racial demographics of park users, which remain overwhelmingly...

The Bulletin—October 18, 2012

...in and intellectually engaging with the US South. Today marks the fortieth anniversary of the 1972 Clean Water Act, which regulates water quality standards and limits water pollution. Citizen groups...

Shaping a Southern Soundscape

...own training and local performance styles. Most of the popular music people heard before the 1920s took the form of what we call "cover" songs today. Recorded sound, in particular,...

Petrochemical America, Petrochemical Addiction

...deserve inclusion in a natural history museum: the information she has to offer is too important to understanding the natural, political, and social world that we live in today to...

Keywords for Southern Studies: An Introduction

...by that upheaval and diversity. What is "southern studies" today, well into the twenty-first century, in the age of the global-superpower United States? Whatever it is, we think it is...

Mapping the "Big Minutes": Visualizing Sacred Harp's Geographic Coalescence and Expansion, 1995–2014

..."Big Minutes" grew out of the minutes pamphlets of a network of singings centered in Winston County, Alabama.5Editors of today's "Big Minutes" repeat the received history that the book originated...

References
1.	George Pullen Jackson, White Spirituals in the Southern Uplands: The Story of the Fasola Folk, Their Songs, Singings, and "Buckwheat Notes" (Chapel Hill: University of North Carolina Press, 1933); Buell E. Cobb, The Sacred Harp: A Tradition and Its Music (Athens: University of Georgia Press, 1989); David Warren Steel, The Makers of the Sacred Harp (Champaign: University of Illinois Press, 2010).
2.	John Bealle, Public Worship, Private Faith: Sacred Harp and American Folksong (Athens: University of Georgia Press, 1997); Kiri Miller, Traveling Home: Sacred Harp Singing and American Pluralism (Champaign: University of Illinois Press, 2008).
3.	Jesse P. Karlsberg, "Folklore's Filter: Race, Place, and Sacred Harp Singing" (Ph.D. dissertation, Emory University, 2015), http://pid.emory.edu/ark:/25593/pgtds; Ellen Lueck, "Sacred Harp Singing in Europe: Its Pathways, Spaces, and Meanings" (Ph.D. dissertation, Wesleyan University, 2016).
4.	For examples and analysis of Sacred Harp singers' negotiation of the "old-fogy" label, see George Pullen Jackson, The Story of The Sacred Harp, 1844–1944: A Book of Religious Folk Song as an American Institution (Nashville, TN: Vanderbilt University Press, 1944); Hugh W. McGraw, "'There Are More Singings Now Than Ever Before': Hugh McGraw Addresses the Harpeth Valley Singers," Sacred Harp Publishing Company Newsletter 2, no. 3 (December 31, 2013), http://originalsacredharp.com/2013/12/31/there-are-more-singings-now-than-ever-before-hugh-mcgraw-addresses-the-harpeth-valley-singers; Karlsberg, "Folklore's Filter," 105–12.
5.	Editors of today's "Big Minutes" repeat the received history that the book originated as the minutes pamphlet of the Alabama State Sacred Harp Musical Convention, based in Birmingham, Alabama. However, minutes pamphlets in the collections of Winston County, Alabama, singers Roma Rice and Margaret Keeton, and the Carrolton, Georgia, Sacred Harp Museum, suggest that this Winston County-centered publication was the precursor to today’s “Big Minutes”; continuities in printer, editor, and singings between a set of 1930s and early 1940s minutes pamphlets for a group of singing conventions centered in Winston County, Alabama, and pamphlets published beginning in 1945 titled Minutes of the Alabama-Tennessee Sacred Harp Singing Conventions, and, after 1954, titled Minutes: Alabama, Mississippi and Tennessee Sacred Harp Singings, indicate a shared lineage.
6.	To access this database or order a print copy of the contemporary "Big Minutes," see Judy Caudle, et al., eds., "Minutes and Directory of Sacred Harp Singings," Fasola.org, http://fasola.org/minutes/.
7.	On the FaSoLa Minutes app, see Clarissa Fetrow, "There's an App for That: A Review of the 'FaSoLa Minutes' App," Sacred Harp Publishing Company Newsletter 3, no. 2 (November 12, 2014), http://originalsacredharp.com/2014/11/12/theres-an-app-for-that-a-review-of-the-fasola-minutes-app/.
8.	Mark T. Godfrey created this dataset for the FaSoLa Minutes app and with Jesse P. Karlsberg supported Robert A. W. Dunn's research augmenting the data with precise locations. Godfrey's original dataset features enhancements to the SHMHA data and excludes 740 singings using other Sacred Harp editions and related shape-note books. These singings were initially excluded to ensure that page numbers included in the minutes reliably indexed specific songs in The Sacred Harp. The exclusions also improve the representativeness of the minutes, which feature nearly all annual singings from The Sacred Harp: 1991 Edition, but relatively few singings from other tunebooks, which typically disseminate their minutes through other publications.
9.	Most secretaries include the names of buildings where singings are held, but others give names of larger institutions or campuses with multiple potential venues. A handful of singing minutes feature no specific location, instead providing just a city or town and county. Other minutes include a city or town but no county, or a county but no municipality.
10.	On the social context of the increasing number of singings from the 1991 Edition in Texas since the 1990s, see Karlsberg, "Folklore's Filter," 118–24.
11.	The South Georgia Convention, a network of a dozen singings from the 1991 Edition centered around Macon and extending south to Cordele, Georgia, continues to publish an annual minutes pamphlet, even as its sponsored singings increasingly submit minutes to the "Big Minutes."
12.	For more on this process and a collection of research drawing on the expanding Sacred Harp minutes database, see "Sacred Harp Minutes: Querying Sacred Harp's Sonic Past through the Minutes of Sacred Harp Singings, 1945–2016," 2017, http://fasolaminutes.org/.

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