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"Out Yonder on the Road": Working Class Self-Representation and the 1939 Roadside Demonstration in Southeast Missouri

...16, 1939, Folder "Tenant Farming, 1939-1944," Box 1, Official File 1650, Papers of Franklin D. Roosevelt, Roosevelt Presidential Library, Hyde Park, New York (hereafter FDR); Colonel B.M. Casteel to Governor...

Mississippi Delta

...owned 400 slaves and decorated his home with the finest furniture from France. Large cotton yields and accumulating wealth created a powerful social group, the Delta planters, who would dominate...

Three Poems and a Critique of Postracialism

...places—Atlanta, Georgia. (Before going any further, let me offer an aside: One simple and overly-deterministic answer to the question, "Why Atlanta?" is biographical. As you might have heard tell, Trethewey...

Uncovering Networks of (Mis)Communication in Early America

...Franciscans for causing unrest. The Franciscans gestured towards the abusive policies of the colonial government. And the Timicuas highlighted their dissatisfaction with "having to serve as cargadores," carrying food and...

"It's Being Black and Poor": Race, Class, and Desegregation at Pebblebrook High

...as a result of desegregation, only 37% of black students attended mostly black schools, by the year 2000, that number had grown to 69%, quickly approaching the 1968 numbers for...

Katrina + 5: An X-Code Exhibition

...New Orleans in 2009. http://analytical.chem.wsu.edu/faculty/hillh. Constance Lewis, Atlanta, Georgia. Fine art photographer and gallery owner, independent curator. Lewis’s curatorial projects include the founding of Opal Gallery, an Atlanta based artist...

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Mississippi Delta

Uncovering Networks of (Mis)Communication in Early America

Gordon Parks at Atlanta's High Museum of Art

Wherein the South Differs from the North: Naming Persons, Naming Places, and the Need for Visionary Geographies

References
1.	Ulla Dydo, following William McFeely's 1981 biography of Grant, tells the story of Grant's change of name rather differently from the way Stein does in Four in America. Dydo writes, "Hiram Ulysses Grant—always called Ulysses—changed his name when he entered West Point at age seventeen. He planned to be Ulysses H[iram]. Grant. The congressman who made the appointment forgot his middle name and sent in the appointment under his mother's maiden name, for Ulysses S[impson]. Grant. The name was never corrected, and Grant signed himself 'U. S. Grant,' though he never used 'Simpson'" (Ulla E. Dydo with William Rice, Gertrude Stein: The Language That Rises, 1923-34 [Evanston IL: Northwestern UP, 2003], 579 n. 48). That it was something between a clerical error and congressional fiat that changed the initials the young Grant planned to adopt ("U.H.") to "U.S.," with all that the latter letters portend for Grant's and the country's future (according to Four in America), tends to confirm Stein's claims about the ineluctable shaping force of first names.
2.	Ulla Dydo, who has worked long and closely with Stein's manuscripts, provides a stimulating and succinct account of the meanings of "geography" and "composition" in Stein's thought and writing in Dydo's book (written with William Rice) Gertrude Stein: The Language That Rises, 1923-34 (Evanston, IL: Northwestern UP, 2003), 70-75.
3.	William Carlos Williams's pioneering essay, "The Work of Gertrude Stein," first appeared in the avant-garde magazine Pagany in 1930. It is reprinted in Kirk Curnutt, ed., The Critical Response to Gertrude Stein (Westport CT: Greenwood, 2000), 194-99.
4.	Wanda Van Dusen published an early consideration of the politics of Stein's wartime activities entitled, "Portrait of a National Fetish: Gertrude Stein's 'Introduction to the Speeches of Maréchal Pétain (1942)," which appeared in Modernism/modernity 3:3 (1996), 69-92. Barbara Will is at work on a book about the matter; until it appears, see her article, "Lost in Translation: Stein's Vichy Collaboration," Modernism/modernity 11:4 (2004), 651-68. See also Janet Malcolm, Two Lives: Gertrude and Alice (New Haven: Yale UP, 2007).