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The Black Belt

...held a variety of local, state, and national political offices. With the mid-1870s however, came the restoration of white rule. Then, "for a hundred years," wrote Selma civil rights attorney...

Starlit Screens: Preserving Place and Public at Drive-In Theaters

...suburban subdivisions, but their spatial organization "typif[ies] the features of all suburban commercial development." Indeed, many drive-in theaters were ultimately leveled to make way for shopping malls or residential developments.2Lonnee,...

Katrina + 5: An X-Code Exhibition

...Street Canal Levee. Top right, Along 17th Street Canal. Bottom left, Along 17th Street Canal. Bottom right, Pratt Drive and Robert E. Lee Avenue at the breach in the 17th...

Renewing Multimedia Scholarly Publishing: A Streamlined and Mobile-Friendly Design for Southern Spaces

...site also foregrounds rich multimedia, deepening our journal's commitment to multimedia publishing. All articles, photo essays, and short videos feature a full-screen cover photo. Our migration to Vimeo and Soundcloud—social...

The Crowd He Becomes

...have done it it wouldn't have been alone, he would have had a driver and a man out west to phone in threats to draw the cops away. They'd ease...

Shadows along the Waccamaw

Readings Dan Albergotti reads "The Mystery of the Great Blue Heron." Poem text. Dan Albergotti reads the poem "The Boatloads." Poem text. Dan Albergotti reads the poem "Accidents Happen with...

Vale of Amusements: Modernity, Technology, and Atlanta's Ponce de Leon Park, 1870–1920

...fifteen-hundred and two-thousand parks with names like Electric, Riverside, and White City stood outside small towns and major cities. Locals flocked to parks' mechanical rides and novel attractions; historian Lauren...

"The Room that We're Able to Take Up": Forrest Lawson's Queer Aesthetic

...Their Sexual Orientation? 200 Participants Reporting a Change from Homosexual to Heterosexual Orientation,” Archives of Sexual Behavior 32 (2003): 403–417. It added fuel to many churches’ fire in maintaining and extending their...

References
1.	As Skyler Swisher wrote in an article for the South Florida Sun Sentinel in 2019, sixty-eight percent of Floridians support LGBT anti-discrimination laws, which led some to hope 2020 would be “the year for Florida to protect gay and transgender people from discrimination.” Yet, one attempt, the Florida Competitive Workforce Act, died in the civil justice subcommittee in March 2020. There’s no statewide ban on conversion therapy and twenty seven percent of LGBT Floridians live below the poverty line.
2.	Bible passages included in Convoluted’s web: Genesis 19, Leviticus 18:22, Leviticus 20:13, Mark 10:6–9, Romans 1:26–32, Romans 13:8–10, 1 Corinthians 6:9–11,17–20, 1 Corinthians 7:2, 1 Timothy 1:8–11, Hebrews 13:1–5, Jude 1:5–8.
3.	R.L. Spitzer, “Can Some Gay Men and Lesbians Change Their Sexual Orientation? 200 Participants Reporting a Change from Homosexual to Heterosexual Orientation,” Archives of Sexual Behavior 32 (2003): 403–417.
4.	Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics (Cambridge, MA: MIT Press, 2002).
5.	David Breslin and David Kiehl, David Wojnarowicz: History Keeps Me Awake at Night (New Haven, CT: Yale University Press, 2018), 270–271.
6.	Felix Gonzalez-Torres, “Practices: the Problem of Divisions of Cultural Labour,” Art and Design 9 (1994): 91. See Joan Gibbons, Contemporary Art and Memory: Images of Recollection and Remembrance (London: I.B. Tauris, 20017).
7.	For the connection between Rilke and González-Torres’s work, see Christopher Castiglia and Christopher Reed, “Remembering a New Queer Politics: Ideals in the Aftermath of Identity,” If Memory Serves: Gay Men, AIDS, and the Promise of the Queer Past (Minneapolis: University of Minnesota Press, 2012): 175–215. The full and correct Rainer Marie Rilke quote: “And still it is not enough to have memories. One must be able to forget them when they are many, and one must have the great patience to wait until they come again. For it is not yet the memories themselves. Not until they have turned to blood within us, to glance, to gesture, nameless and no longer to be distinguished from ourselves—not until then can it happen that in a most rare hour the first word of a verse arises in their midst and goes forth from them.”
8.	See the Touching Up Our Roots oral history about his life: In the Eye of the AIDS Storm: The Saga of Dr. Jesse Peel, directed and produced by Dave Hayward (2010), DVD. Touching Up Our Roots: Georgia's LGBT History Project. Georgia State University.
9.	Felix González-Torres, interview by Tim Rollins, Between Artists: Twelve Contemporary American Artists Interview Twelve Contemporary American Artists (New York: A.R.T. Press, 1996), 94.
10.	Maya Chinchilla, “Church at Night,” GLQ 24, no. 1 (2018), 3–8. https://doi.org/10.1215/10642684-4254387.

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