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Same-Sex Intimacy in Fiction about Southern Plantations

Same-Sex Intimacy in the Fiction of Southern Plantations Part 2: Bibler refers to Gaines’s novel Of Love and Dust, focusing on how same-sex relations can disrupt plantation hierarchies Part 3:...

Naming Each Place

Readings Jericho Brown reads the poem "Like Father." Poem text Jericho Brown reads "Prayer of the Backhanded." Poem text Jericho Brown reads the poem "Scarecrow." Poem text Jericho Brown reads...

Sowing The Seed Underground

Presentation Part 2: Ray overviews the modern extinction of many food seed varieties and the industrialization of US agriculture About the Author Janisse Ray was born in Baxley, Georgia, in 1962...

Longleaf, Far as the Eye Can See: A New Vision of North America's Richest Forest

Review Longleaf, Far as the Eye Can See presents a rhapsodic argument in pictures and words for the preservation, restoration, and reestablishment of longleaf pine forests across the areas of the...

"Possum on Terrace": A Typed Manuscript from John Egerton on Journalist Johnny Popham

...conference and Popham's biography. A Virginia native, Popham was sent by the New York Times to cover the US South in the mid-twentieth century. In 1958, after twenty-five years on...

Opening at the Center for Documentary Studies at Duke University

...and a demonstrated passion for the documentary arts. The director will supervise a management team with thirty-two full-time and approximately forty part-time staff and faculty. The Center has an operating...

A Sleight of History: University of Alabama's Foster Auditorium

A Sleight of History: Film and Essay Sleight of History: University of Alabama's Foster Auditorium. A short film by Sarah Melton and Marshall Houston, 2009. My fellow filmmaker Marshall Houston...

Shaping a Southern Soundscape

...however they sounded, sold as either "race" records or old time ("hillbilly") records, depending on the presumed race of the musicians who recorded the music. One of Miller's most important...

History, Geography, and the New Orleans Tourism Industry: A Review of Bourbon Street

Review In the early hours of June 29, 2014, a Bourbon Street shootout left twenty-one-year-old Brittany Thomas, a visitor to New Orleans, dead and nine other bystanders injured.1Ken Daley, "Bourbon...

References
1.	Ken Daley, "Bourbon Street Shooting Leaves 10 Wounded, 2 Critically, Tourism Image Scarred," NOLA.com, June 30, 2014, http://www.nola.com/crime/index.ssf/2014/06/bourbon_street_gunfight_leaves.html; Helen Freund, "Bourbon Street Shooting Victim, 21, Dies," NOLA.com, July 2, 2014, http://www.nola.com/crime/index.ssf/2014/07/bourbon_street_shooting_victim.html.
2.	Julie Levinson, The American Success Myth on Film (New York: Palgrave Macmillan, 2012), 11–12.
3.	J. Mark Souther, New Orleans on Parade: Tourism and the Transformation of the Crescent City (Baton Rouge: Louisiana State University Press, 2006), 226. Political scientist Paul A. Passavant makes a similar argument in "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans," in The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans, ed. Cedric Johnson (Minneapolis: University of Minnesota Press, 2011), 87–129.
4.	Kevin Fox Gotham and Miriam Greenberg, Crisis Cities: Disaster and Redevelopment in New York and New Orleans (Oxford: Oxford University Press, 2014), viii. For other examples of recent scholarship critical of the market-driven approach to post-Katrina recovery, see Vincanne Adams, Markets of Sorrow, Labors of Faith: New Orleans in the Wake of Katrina (Durham: Duke University Press, 2013); John Arena, Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization (Minneapolis: University of Minnesota Press, 2012); Cedric Johnson, ed., The Neoliberal Deluge: Hurricane Katrina, Late Capitalism, and the Remaking of New Orleans (Minneapolis: University of Minnesota Press, 2011); Lawrence N. Powell, "What Does American History Tell Us about Katrina and Vice Versa?," Journal of American History 94, no. 3 (December 2007): 863–876; Lynnell L. Thomas, Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory (Durham: Duke University Press Books, 2014), 158–173.
5.	Clyde Woods, "Katrina's World: Blues, Bourbon, and the Return to the Source," American Quarterly 61, no. 3 (2009): 448.
6.	Passavant, "Mega-Events, the Superdome, and the Return of the Repressed in New Orleans."
7.	For an analysis of the implications of Campanella's privileging of experience-knowledge, see Emma Lirette, "Category 3 Gentrification: On New Orleans's Population Trends and the Hostility of Internet Commenters," Southern Spaces, April 17, 2013, https://southernspaces.org/blog/category-3-gentrification-new-orleanss-population-trends-and-hostility-internet-commenters.
8.	By a cruel irony, the June 2014 Bourbon Street shooting occurred just outside Johnny White's bar, the same bar that famously stayed open during and after Hurricane Katrina. The fact that this Bourbon Street institution has served as both a symbol of the city's rebirth and a reminder of its rampant violence and criminalizaton highlights the relationship between geographies of pleasure and pain. See, Benjamin Alexander-Bloch, "Bourbon Street Shooting Sent Bystanders Rushing into Nearby Businesses," NOLA.com, June 29, 2014, http://www.nola.com/crime/index.ssf/2014/06/as_bourbon_street_shooting_occ.html; Richard Campanella, Bourbon Street: A History (Baton Rouge: Louisiana State University Press, 2014), 310.

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