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Genres of Southern Literature

...for southern literature. This tradition is not without irony, given the other directive that has long governed southern literary study: the emphasis on promoting "internal" or a-historical, non-contingent readings of...

Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi

...civil rights movement, Julian Bond speculated that "until historians unravel the complex links between the southern freedom struggle and the mass media, their understanding of how the Movement functioned, why...

Southern Spaces: A Partial History

...admirable policy of not having students work for free. Luckily, it didn't take long for then-managing-editor Sarah Toton to find the needed funding to add another position. I joined Southern...

Cruising Grounds: Seeking Sex and Claiming Place in Houston, 1960–1980

...Pride Houston. There were two queer bookstores, a free monthly magazine, and several free weekly papers. Soon, I was working for one of those papers, distributing copies all over the...

The Battle of Atlanta: History and Remembrance

...to be remembered long after the fighting stopped."The Battle of Atlanta: History and Remembrance" delves into the recorded past of a particularly fierce engagement between the United States and the...

Crossing Over: Sustainability, New Urbanism, and Gentrification in Austin, Texas

...of Seventh Street and south of Manor Road adjacent to I-35 experienced between 18 and 31 percent increases in white population between 2000 and 2010.23"Change in the White Percentage of...

"Beer, Prayer and Nellydrama": (Im)Possibilities in Max Vernon's The View UpStairs

...the special and active exchange that occurs between the performance and the audience member[] illustrat[es] the breakdown of division between audience and creative crew."56Machon, Immersive Theatres, 98. The orientation of...

Seeds of Rebellion in Plantation Fiction: Victor Séjour's "The Mulatto"

...fathers to sons and in the supposedly free exchange of affectional ties between a male and female of his choice—becomes the mythically revered privilege of a free and freed community"...

Dancing Around the "Glaring Light of Television": Black Teen Dance Shows in the South

When Chuck Willis released his single "Betty and Dupree" in 1958, he and Atlantic Records wanted to keep teenagers across the country dancing the Stroll. Willis's "C. C. Rider" (1957)...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...animosities between former Civil War adversaries continued, and paramilitary and mob violence against freedpeople and their descendants and allies went largely unchecked for decades.4Carole Emberton, Beyond Redemption: Race, Violence, and...

References
1.	Steven E. Woodworth, Nothing But Victory: The Army of the Tennessee, 1861–1865 (New York: Alfred A. Knopf, 2005), 567–568.
2.	Gary Ecelbarger, The Day Dixie Died: The Battle of Atlanta (New York: Thomas Dunne Books/St. Martin's Press, 2010), 213–214.
3.	James M. McPherson, Embattled Rebel: Jefferson Davis as Commander in Chief (New York: The Penguin Press, 2014), 205; Brian Holden Reid, The Scourge of War: The Life of William Tecumseh Sherman (New York: Oxford University Press, 2020), 330.
4.	Carole Emberton, Beyond Redemption: Race, Violence, and the American South After the Civil War (Chicago: University of Chicago Press, 2013), 146, 155, 201; Gregory P. Downs, The Second American Revolution: The Civil War-Era Struggle Over Cuba and the Rebirth of the American Republic (Chapel Hill: University of North Carolina Press, 2019), 136; Leon F. Litwack, "Hellhounds," in Without Sanctuary: Lynching Photography in America, ed. James Allen (Santa Fe, NM: Twin Palms Publishers, 1999), 8–37.
5.	David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, MA: Harvard University Press, 2001), 31–97; Caroline E. Janney, Remembering the Civil War: Reunion and the Limits of Reconciliation, (Chapel Hill: University of North Carolina Press, 2013), 73–159.
6.	Chris Brenneman and Sue Boardman, The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas (El Dorado Hills, CA: Savas Beattie, 2015), 14; Ralph Hyde, Panoramania! (London: Trefoil Publications, 1988), 172.
7.	Stephan Oettermann, The Panorama: History of a Mass Medium (New York: Zone Books, 1997), 343; Angela Miller, "The Panorama, the Cinema, and the Emergence of the Spectacular," Wide Angle 18, no. 2 (1996): 35–69.
8.	Miller, "Panorama," 55.
9.	Alison Griffiths, "'Shivers Down Your Spine': Panoramas and the Origins of Cinematic Reenactment," Screen 44, no. 1 (2003): 1–37.
10.	Antje Petty, "German Artists—American Cyclorama: A Nineteenth-Century Case of Transnational Cultural Transfer" (presentation, German Studies Association 34th Annual Conference, Oakland, CA, October 7–10, 2010, Oakland, CA), https://mki.wisc.edu/wp-content/uploads/sites/1100/2014/10/Petty_GSA-2010_Panorama.pdf.
11.	Susan Tenneriello, Spectacle Culture and American Identity: 1815–1940 (New York: Palgrave Macmillan, 2013), 2–14.
12.	Evelyn J. Fruitema and Paul A. Zoetmulder, eds. The Panorama Phenomenon: Mesdag Panorama 1881–1981 (The Hague, Netherlands: Foundation for the Preservation of the Centenarian Panorama, 1981), 18.
13.	Louise Spence and Vinicius Navarro, Crafting Truth: Documentary Form and Meaning (New Brunswick, NJ: Rutgers University Press, 2011), 11.
14.	William A. Dobak, Freedom By the Sword: The U.S. Colored Troops, 1862–1867 (Washington, DC: US Army Center of Military History, United States Army, 2011), 501; Thavolia Glymph, The Women's Fight: The Civil War's Battles for Home, Freedom, and Nation (Chapel Hill: University of North Carolina Press, 2020), 10; Judith A. Giesberg, Civil War Sisterhood: The U.S. Sanitary Commission and Women's Politics in Transition (Boston: Northeastern University Press, 2000), 4.
15.	Stephanie McCurry, Women's War: Fighting and Surviving the American Civil War (Cambridge, MA: The Belknap Press of Harvard University Press, 2019), 204.
16.	William A. Blair, "Reconciliation as a Political Strategy: The United States After Its Civil War," in Reconciliation After Civil Wars: Global Perspectives, ed. Paul Quigley and James Hawdon (New York: Routledge, 2019), 217–231.
17.	Robert Lang, ed. The Birth of a Nation: D. W. Griffith Director (New Brunswick, NJ: Rutgers University Press, 1994), 134.
18.	Leon F. Litwack, "The Birth of a Nation," in Past Imperfect: History According to the Movies, ed. Ted Mico, John Miller-Monson, and David Rubel (New York: Henry Holt and Company, 1995), 136–141.
19.	Robert Burgoyne, The Hollywood Historical Film (Malden, MA: Blackwell Publishing, 2008), 26.
20.	Michael Rogin, "'The Sword Became a Flashing Vision': D. W. Griffith's The Birth of a Nation," Representations 9 (Winter 1985): 150–195.
21.	Milton MacKaye, "The Birth of a Nation," Scribner's Magazine 102, no. 5 (1937): 40–46; James Chandler, "The Historical Novel Goes to Hollywood: Scott, Griffith, and Epic Film Today," in The Romantics and Us: Essays on Literature and Culture, ed. Gene W. Ruoff (New Brunswick, NJ: Rutgers University Press, 1990), 237–273.
22.	John Belton, American Cinema/American Culture (New York: McGraw-Hill, 1994), 15; Bruce Chadwick, The Reel Civil War: Mythmaking in American Film (New York: Alfred A. Knopf, 2001), 97.
23.	Ruth Elizabeth Burks, "Gone With the Wind: Black and White in Technicolor," Quarterly Review of Film and Video 21, no. 1 (2004): 53–73; Jenny Barrett, Shooting the Civil War: Cinema, History and American National Identity (London: I.B. Tauris, 2009), 35; Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (New Brunswick, NJ: Rutgers University Press, 2015), 157–160.
24.	Davarian L. Baldwin, "'I Will Build a Black Empire': The Birth of the Nation and the Specter of the New Negro," Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 599–603.
25.	Melvyn Stokes, D. W. Griffith's The Birth of a Nation: A History of the "Most Controversial Motion Picture of All Time" (New York: Oxford University Press, 2007), 129–170; Cara Caddoo, "The Birth of a Nation's Long Century," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
26.	Mark E. Benbow, "Birth of a Quotation: Woodrow Wilson and 'Like Writing History With Lightning,'" Journal of the Gilded Age and Progressive Era 9, no. 4 (2010): 509–533.
27.	Michael T. Martin, "Revisiting (As It Were) the 'Negro Problem' in The Birth of the Nation," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
28.	Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised Edition (London: Verso, 2006), 201.
29.	Anderson, Imagined Communities, 6–7.
30.	Nicola Cooper and Martin J. Hurcombe, "The Figure of the Soldier," Journal of War and Culture Studies 2, no. 2 (2009): 103–104.
31.	Wilbur Zelinsky, Nation Into State: The Shifting Symbolic Foundations of American Nationalism (Chapel Hill: University of North Carolina Press, 1988), 155.
32.	Elisa Tamarkin, Anglophilia: Deference, Devotion, and Antebellum America (Chicago: University of Chicago Press, 2008), xxvi.
33.	David Armitage, Thomas Bender, Leslie Butler, Don H. Doyle, Susan-Mary Grant, Charles S. Maier, Jörg Nagler, Paul Quigley and Jay Sexton, "Interchange: Nationalism and Internationalism in the Era of the Civil War," Journal of American History 98, no. 2 (2011): 455–489.
34.	Heather Cox Richardson, Wounded Knee: Party Politics and the Road to an American Massacre (New York: Basic Books, 2010), 11; Pekka Hämäläinen, Lakota America: A New History of Indigenous Power (New Haven, CT: Yale University Press, 2019), 378.
35.	Clayton D. Laurie and Ronald H. Cole, The Role of Federal Military Forces in Domestic Disorders, 1877–1945 (Washington, DC: US Army Center of Military History, 1997), 145.
36.	Richard White, Railroaded: The Transcontinentals and the Making of Modern America (New York: W.W. Norton, 2011), 431.
37.	A.G. Hopkins, American Empire: A Global History (Princeton, NJ: Princeton University Press, 2018), 337.
38.	Matthew Frye Jacobson, Barbarian Virtues: The United States Encounters Foreign Peoples at Home and Abroad, 1876–1917 (New York: Hill and Wang, 2000), 42.
39.	William McKinley, Speeches and Addresses of William McKinley, From March 1, 1897 to May 30, 1900 (New York: Doubleday & McClure, 1900), 159–160.
40.	C. A. Bayly, The Birth of the Modern World, 1780–1914 (Malden, MA: Blackwell Publishing, 2004), 199.

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