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Southern Spaces: A Partial History

...by hand, using the coding view in Dreamweaver. I tried to code it all in xhtml. As we brought on additional students to help—Sarah Toton, Steve Bransford, Paul O'Grady, Jere...

Draining Paradise: A Tour of Salt Creek in St. Petersburg, Florida

...it were adopted even now.13John Nolen, City Planning Report: St. Petersburg Today, St. Petersburg Tomorrow (St. Petersburg, FL: St. Petersburg City Planning Board, 1923), https://friendsofsaltcreek.org/wp-content/uploads/2022/02/St-Petersburg-Today-St-Petersburg-Tomorrow-1923-Nolen-Plan-1.pdf; St. Petersburg Conceptual Plan (City...

The Battle of Atlanta: History and Remembrance

...Lieutenant General John Bell Hood, commander of the Confederate Army of Tennessee. Photographic print. Hood's leadership at Chickamauga won him a promotion to lieutenant general on February 11, 1864, and...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...2010, Oakland, CA), https://mki.wisc.edu/wp-content/uploads/sites/1100/2014/10/Petty_GSA-2010_Panorama.pdf. Today, among all Civil War battle panoramas, the Gettysburg and Atlanta cyclorama paintings are the only survivors on public display, each showcased in a twenty-first-century exhibition...

Crossing Over: Sustainability, New Urbanism, and Gentrification in Austin, Texas

...stops and bike lanes and widen streets to promote public transportation. The most symbolic public spot in the corridor is Urdy Plaza, an open, art-decorated space that honors the African...

Three Poems and a Critique of Postracialism

...of where those race relations take place. Today I will be sharing work from my final chapter, which looks at three contemporary African American poets. I should offer a caveat...

From Arkansas with Love: Evangelical Crisis Management and Southern (White) Gospel Music

...Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). The rise of CCM participated in the transformation of conservative and fundamentalist Christian culture in the United States beginning in...

Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi

...white students returned to the school. "In theory, classes began at Warren County high school today on an integrated basis," the script read, "actually, however, the once all-white school is...

The Tennessee Jamboree: Local Radio, the Barn Dance, and Cultural Life in Appalachian East Tennessee

...and tuning in to programming from the many large stations.13Ibid, 132-133. Radio's big-city bias changed after World War II. Eager to promote the growth of the medium, the FCC declared...

References
1.	Susan Douglas, Listening In: Radio and the American Imagination. (Minneapolis: University of Minnesota Press, 2004), 57.
2.	Ibid, 79.
3.	Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America. (Baltimore, MD: Johns Hopkins University Press, 2000), 10.
4.	Ibid.
5.	Ibid, 116.
6.	Ibid, 287.
7.	Joseph C. Pusateri, Enterprise in Radio: WWL and the Business of Broadcasting in America. (Washington, DC: University Press of America, 1980), 153.
8.	Douglas, 5.
9.	Richard A. Peterson, Creating Country Music: Fabricating Authenticity. (Chicago: University of Chicago Press, 1997), 97.
10.	Kline, 287.
11.	Jacob J. Podber, "The Electronic Front Porch: An Oral History of the Early Effects of Radio, Television, and the Internet on Appalachia and the Melungeon Community." (PhD dissertation: Ohio University, 2001), 121.
12.	Ibid, 143-144.
13.	Ibid, 132-133.
14.	Pusateri, 221.
15.	Ibid.
16.	Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham, NC: Duke University Press, 2007), 15.
17.	Ibid, 16.
18.	Suan Smulyan, Selling Radio: The Commercialization of American Broadcasting, 1920-1934. (Smithsonian Institution Press, 1994), 24.
19.	Ibid, 23.
20.	Kristine M. McCusker, "It Wasn't God Who Made Honky Tonk Angels": Women, Work and Barn Dance Radio, 1920-1960." (PhD dissertation: Indiana University, 2000), 20.
21.	Jeffrey J. Lange, Smile When You Call Me a Hillbilly: Country Music's Struggle for Respectability, 1939-1954. (Athens: University of Georgia Press, 2004), 28.
22.	Peterson, 99, 109.
23.	Pecknold, 16.
24.	Ibid.
25.	Charles Wolfe, Tennessee Strings: The Story of Country Music in Tennessee. (Knoxville, TN: University of Knoxville Press, 1977), 83.
26.	Ibid, 83-85.
27.	Peterson, 232.
28.	David Nusz Black, Television from a Third Coast: A History of Nashville Network and Syndicated Television Production: 1950-1983. (PhD Dissertation: The University of Tennessee, 1996), 393-394.
29.	A Study of the Community of Lafollette, Tennessee. Tennessee State Library and Archive. (Nashville: Public Libraries Division, 1957), 4-5.
30.	Ibid, 50.
31.	Ibid, 20.
32.	Audio interview with Dolly Parton from American Routes. During an interview on American Routes, Parton talks about her musical and family roots in East Tennessee, and about singing on the Cas Walker Show. Available via http://americanroutes.wwno.org/.
33.	Bill Waddell, taped interview by Joe DiCosimo, August 2005.
34.	Ibid.
35.	Ibid.
36.	Waddell, reunion introduction. From tape of Louie Bluie Music and Arts Festival, Caryville, TN, 2007, from the Tennessee State Library and Archives.
37.	Michele Hilmes, Radio Voices: American Broadcasting, 1922-1952. (Minneapolis: University of Minnesota Press, 1997), xvi.
38.	Jody Berland,"Radio Space and Industrial Time: The Case of Music Formats." In Canadian Music: Issues of Hegemony and Identity, eds. Beverly Diamond and Robert Witmer. (Toronto: Canadian Scholars' Press, 1994), 175- 176, 181.
39.	Bill C. Malone, Country Music, U.S.A. (Austin: University of Texas Press, 1985), 369.
40.	A Study of the Community of Lafollette, Tennessee, 5.

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