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Katrina + 5: An X-Code Exhibition

...Society of the United States SPCA—Society for the Prevention of Cruelty to Animals Codes Elsewhere X-codes have been used in responding to disasters across the country through the years. Informal...

The X-Codes: A Post-Katrina Postscript

The X-Codes: A Post-Katrina Postscript Dorothy Moye, Upper Ninth Ward house with "KEN" marking from private contractor, 2009. It was a late afternoon in June 2006, and I was lost...

Back to the Future: Mapping Workers Across the Global South

...pulling out of China in search of the next low-wage country. Vietnam, Bangladesh, and India top the list of contenders as many argue that China's position as "the ultimate low-cost...

Transcript of "When I Say 'Steal,' Who Do You Think Of?": Part Two

...that attempted to return freed slaves to a de facto bondage. Beginning in Mississippi in 1865, these so-called "Black Codes" appeared to grant Black people certain legal rights for the...

Genres of Southern Literature

...for southern literature. This tradition is not without irony, given the other directive that has long governed southern literary study: the emphasis on promoting "internal" or a-historical, non-contingent readings of...

Wanted eLove: Queer Square Spaces and the Revolution in Digital Intimacy

...evolved to include hanky codes, gay bar and bathhouse secret codes, and other gendered and sexualized forms of inclusion or exclusion. In a letter to the editor published in NEWSWEST,...

Dirty Decade: Rap Music and the US South, 1997–2007

...use of imagery has critiqued, promoted, and problematized the idea of the South and its rap music culture. Rap and Place Perhaps the most remarkable dimension of the Dirty South...

Television News and the Civil Rights Struggle: The Views in Virginia and Mississippi

A General Note to Readers: I have intended this essay to be read and the films viewed together. Rather than narrate the films, I have presented an analysis of them...

Spectacles of American Nationalism: The Battle of Atlanta Cyclorama Painting and The Birth of a Nation

...of the Atlanta painting, and promoters moved each canvas from city to city for exhibition. At every stop, riggers installed the panorama in a massive rotunda building, a specially designed...

References
1.	Steven E. Woodworth, Nothing But Victory: The Army of the Tennessee, 1861–1865 (New York: Alfred A. Knopf, 2005), 567–568.
2.	Gary Ecelbarger, The Day Dixie Died: The Battle of Atlanta (New York: Thomas Dunne Books/St. Martin's Press, 2010), 213–214.
3.	James M. McPherson, Embattled Rebel: Jefferson Davis as Commander in Chief (New York: The Penguin Press, 2014), 205; Brian Holden Reid, The Scourge of War: The Life of William Tecumseh Sherman (New York: Oxford University Press, 2020), 330.
4.	Carole Emberton, Beyond Redemption: Race, Violence, and the American South After the Civil War (Chicago: University of Chicago Press, 2013), 146, 155, 201; Gregory P. Downs, The Second American Revolution: The Civil War-Era Struggle Over Cuba and the Rebirth of the American Republic (Chapel Hill: University of North Carolina Press, 2019), 136; Leon F. Litwack, "Hellhounds," in Without Sanctuary: Lynching Photography in America, ed. James Allen (Santa Fe, NM: Twin Palms Publishers, 1999), 8–37.
5.	David W. Blight, Race and Reunion: The Civil War in American Memory (Cambridge, MA: Harvard University Press, 2001), 31–97; Caroline E. Janney, Remembering the Civil War: Reunion and the Limits of Reconciliation, (Chapel Hill: University of North Carolina Press, 2013), 73–159.
6.	Chris Brenneman and Sue Boardman, The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas (El Dorado Hills, CA: Savas Beattie, 2015), 14; Ralph Hyde, Panoramania! (London: Trefoil Publications, 1988), 172.
7.	Stephan Oettermann, The Panorama: History of a Mass Medium (New York: Zone Books, 1997), 343; Angela Miller, "The Panorama, the Cinema, and the Emergence of the Spectacular," Wide Angle 18, no. 2 (1996): 35–69.
8.	Miller, "Panorama," 55.
9.	Alison Griffiths, "'Shivers Down Your Spine': Panoramas and the Origins of Cinematic Reenactment," Screen 44, no. 1 (2003): 1–37.
10.	Antje Petty, "German Artists—American Cyclorama: A Nineteenth-Century Case of Transnational Cultural Transfer" (presentation, German Studies Association 34th Annual Conference, Oakland, CA, October 7–10, 2010, Oakland, CA), https://mki.wisc.edu/wp-content/uploads/sites/1100/2014/10/Petty_GSA-2010_Panorama.pdf.
11.	Susan Tenneriello, Spectacle Culture and American Identity: 1815–1940 (New York: Palgrave Macmillan, 2013), 2–14.
12.	Evelyn J. Fruitema and Paul A. Zoetmulder, eds. The Panorama Phenomenon: Mesdag Panorama 1881–1981 (The Hague, Netherlands: Foundation for the Preservation of the Centenarian Panorama, 1981), 18.
13.	Louise Spence and Vinicius Navarro, Crafting Truth: Documentary Form and Meaning (New Brunswick, NJ: Rutgers University Press, 2011), 11.
14.	William A. Dobak, Freedom By the Sword: The U.S. Colored Troops, 1862–1867 (Washington, DC: US Army Center of Military History, United States Army, 2011), 501; Thavolia Glymph, The Women's Fight: The Civil War's Battles for Home, Freedom, and Nation (Chapel Hill: University of North Carolina Press, 2020), 10; Judith A. Giesberg, Civil War Sisterhood: The U.S. Sanitary Commission and Women's Politics in Transition (Boston: Northeastern University Press, 2000), 4.
15.	Stephanie McCurry, Women's War: Fighting and Surviving the American Civil War (Cambridge, MA: The Belknap Press of Harvard University Press, 2019), 204.
16.	William A. Blair, "Reconciliation as a Political Strategy: The United States After Its Civil War," in Reconciliation After Civil Wars: Global Perspectives, ed. Paul Quigley and James Hawdon (New York: Routledge, 2019), 217–231.
17.	Robert Lang, ed. The Birth of a Nation: D. W. Griffith Director (New Brunswick, NJ: Rutgers University Press, 1994), 134.
18.	Leon F. Litwack, "The Birth of a Nation," in Past Imperfect: History According to the Movies, ed. Ted Mico, John Miller-Monson, and David Rubel (New York: Henry Holt and Company, 1995), 136–141.
19.	Robert Burgoyne, The Hollywood Historical Film (Malden, MA: Blackwell Publishing, 2008), 26.
20.	Michael Rogin, "'The Sword Became a Flashing Vision': D. W. Griffith's The Birth of a Nation," Representations 9 (Winter 1985): 150–195.
21.	Milton MacKaye, "The Birth of a Nation," Scribner's Magazine 102, no. 5 (1937): 40–46; James Chandler, "The Historical Novel Goes to Hollywood: Scott, Griffith, and Epic Film Today," in The Romantics and Us: Essays on Literature and Culture, ed. Gene W. Ruoff (New Brunswick, NJ: Rutgers University Press, 1990), 237–273.
22.	John Belton, American Cinema/American Culture (New York: McGraw-Hill, 1994), 15; Bruce Chadwick, The Reel Civil War: Mythmaking in American Film (New York: Alfred A. Knopf, 2001), 97.
23.	Ruth Elizabeth Burks, "Gone With the Wind: Black and White in Technicolor," Quarterly Review of Film and Video 21, no. 1 (2004): 53–73; Jenny Barrett, Shooting the Civil War: Cinema, History and American National Identity (London: I.B. Tauris, 2009), 35; Ellen C. Scott, Cinema Civil Rights: Regulation, Repression, and Race in the Classical Hollywood Era (New Brunswick, NJ: Rutgers University Press, 2015), 157–160.
24.	Davarian L. Baldwin, "'I Will Build a Black Empire': The Birth of the Nation and the Specter of the New Negro," Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 599–603.
25.	Melvyn Stokes, D. W. Griffith's The Birth of a Nation: A History of the "Most Controversial Motion Picture of All Time" (New York: Oxford University Press, 2007), 129–170; Cara Caddoo, "The Birth of a Nation's Long Century," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
26.	Mark E. Benbow, "Birth of a Quotation: Woodrow Wilson and 'Like Writing History With Lightning,'" Journal of the Gilded Age and Progressive Era 9, no. 4 (2010): 509–533.
27.	Michael T. Martin, "Revisiting (As It Were) the 'Negro Problem' in The Birth of the Nation," in The Birth of a Nation: The Cinematic Past in the Present, ed. Michael T. Martin (Bloomington: Indiana University Press, 2019), 33–45.
28.	Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism, Revised Edition (London: Verso, 2006), 201.
29.	Anderson, Imagined Communities, 6–7.
30.	Nicola Cooper and Martin J. Hurcombe, "The Figure of the Soldier," Journal of War and Culture Studies 2, no. 2 (2009): 103–104.
31.	Wilbur Zelinsky, Nation Into State: The Shifting Symbolic Foundations of American Nationalism (Chapel Hill: University of North Carolina Press, 1988), 155.
32.	Elisa Tamarkin, Anglophilia: Deference, Devotion, and Antebellum America (Chicago: University of Chicago Press, 2008), xxvi.
33.	David Armitage, Thomas Bender, Leslie Butler, Don H. Doyle, Susan-Mary Grant, Charles S. Maier, Jörg Nagler, Paul Quigley and Jay Sexton, "Interchange: Nationalism and Internationalism in the Era of the Civil War," Journal of American History 98, no. 2 (2011): 455–489.
34.	Heather Cox Richardson, Wounded Knee: Party Politics and the Road to an American Massacre (New York: Basic Books, 2010), 11; Pekka Hämäläinen, Lakota America: A New History of Indigenous Power (New Haven, CT: Yale University Press, 2019), 378.
35.	Clayton D. Laurie and Ronald H. Cole, The Role of Federal Military Forces in Domestic Disorders, 1877–1945 (Washington, DC: US Army Center of Military History, 1997), 145.
36.	Richard White, Railroaded: The Transcontinentals and the Making of Modern America (New York: W.W. Norton, 2011), 431.
37.	A.G. Hopkins, American Empire: A Global History (Princeton, NJ: Princeton University Press, 2018), 337.
38.	Matthew Frye Jacobson, Barbarian Virtues: The United States Encounters Foreign Peoples at Home and Abroad, 1876–1917 (New York: Hill and Wang, 2000), 42.
39.	William McKinley, Speeches and Addresses of William McKinley, From March 1, 1897 to May 30, 1900 (New York: Doubleday & McClure, 1900), 159–160.
40.	C. A. Bayly, The Birth of the Modern World, 1780–1914 (Malden, MA: Blackwell Publishing, 2004), 199.

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